Movie Reviews Published by Sight and Sound - Page 30 of 42

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Review of Holy Motors (2012)

By Demetrios Matheou (85) for Sight and Sound (827) on 23 May 2012

It's a hoot, but also mysterious and moving…

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Review of The Cabin in the Woods (2012)

By Kim Newman (791) for Sight and Sound (827) on 16 Apr 2012

Cabin in the Wood has a lot of fun with the conventions of straight-ahead schlock…

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Review of The Hunger Games (2012)

By Anton Bitel (1,340) for Sight and Sound (827) on 28 Mar 2012

A triumph of restraint - but had the film been more visceral and less sanitised it might have better implicated viewers in the voyeuristic…

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Review of Young Adult (2011)

By Lisa Mullen (17) for Sight and Sound (827) on 14 Feb 2012

Young Adult is much funnier and infinitely more savage than Cody's earlier collaboration with director Jason Reitman, the cute but rather cosy Juno…

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Review of Carnage (2011)

By Kate Stables (138) for Sight and Sound (827) on 07 Feb 2012

The characters' all-round unpleasantness, and the film's merciless mirth-making with their failings, keeps things buoyantly, bleakly funny…

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Review of Carnage (1984)

By Kate Stables (138) for Sight and Sound (827) on 07 Feb 2012

The characters' all-round unpleasantness, and the film's merciless mirth-making with their failings, keeps things buoyantly, bleakly funny…

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Review of Carnage (2002)

By Kate Stables (138) for Sight and Sound (827) on 07 Feb 2012

The characters' all-round unpleasantness, and the film's merciless mirth-making with their failings, keeps things buoyantly, bleakly funny…

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Review of Carnage (2014)

By Kate Stables (138) for Sight and Sound (827) on 07 Feb 2012

The characters' all-round unpleasantness, and the film's merciless mirth-making with their failings, keeps things buoyantly, bleakly funny…

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Review of The Iron Lady (2011)

By Philip Kemp (186) for Sight and Sound (827) on 10 Jan 2012

Altogether this is a much softened and declawed portrait of the most divisive prime minister of recent times…

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Review of The Girl with the Dragon Tattoo (2011)

By Anton Bitel (1,340) for Sight and Sound (827) on 04 Jan 2012

This is a finely honed genre thriller, but it also continues Fincher's preoccupation with the persistence of age-old urges in the modern world…

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Review of We Have a Pope (2011)

By Catherine Wheatley (9) for Sight and Sound (827) on 06 Dec 2011

A meditation on the guilt, regret and shame that come with age and acquired wisdom as a pillorying of orthodox hypocrisy…

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Review of The Deep Blue Sea (2011)

By Jonathan Romney (434) for Sight and Sound (827) on 29 Nov 2011

Davies vividly catches the mood of Rattigan's tattered post-war England, of painfully observed proprieties on one hand, untameable desire on…

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Review of The Deep Blue Sea (1994)

By Jonathan Romney (434) for Sight and Sound (827) on 29 Nov 2011

Davies vividly catches the mood of Rattigan's tattered post-war England, of painfully observed proprieties on one hand, untameable desire on…

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Review of The Artist (2011)

By Tony Rayns (36) for Sight and Sound (827) on 18 Nov 2011

The Artist is a whole lot better than Michel Hazanavicius's two OSS 117 movies: better gags, better performances, viable emotional arc, more…

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Review of Faces in the Crowd (2011)

By Anton Bitel (1,340) for Sight and Sound (827) on 16 Nov 2011

The film is barely distinguished from other thrillers with visually impaired protagonists (Blink, Julia's Eyes, etc), and suffers from an over-obvious…

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Review of Wuthering Heights (2011)

By Kate Stables (138) for Sight and Sound (827) on 15 Nov 2011

Andrea Arnold's stark, defiantly naturalistic new version succeeds brilliantly in injecting the shock of the new into this well-thumbed English…

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Review of Weekend (2011)

By Samuel Wigley (5) for Sight and Sound (827) on 08 Nov 2011

Weekend is finally a deeply romantic film, assured of the pleasure that one person can find in another, but rooted in the quirks and textures…

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Review of Weekend (2011)

By Samuel Wigley (5) for Sight and Sound (827) on 08 Nov 2011

Weekend is finally a deeply romantic film, assured of the pleasure that one person can find in another, but rooted in the quirks and textures…

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Review of We Need to Talk About Kevin (2011)

By Tim Robey (1,578) for Sight and Sound (827) on 24 Oct 2011

As a prickly, leftist, brunette Armenian-American, Tilda Swinton isn't, prima facie, ideal casting, but it's hard to imagine a certain kind…

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Review of Tyrannosaur (2011)

By Trevor Johnston (624) for Sight and Sound (827) on 10 Oct 2011

Not without its flaws, Tyrannosaur is an auspicious start, and if Considine gains confidence from it, even better may lie ahead…

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