Movie Reviews Published by Sight and Sound - Page 28 of 42

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Review of Lore (2012)

By Roger Clarke (9) for Sight and Sound (827) on 01 Jan 2014

Lore is a akin to a bourgeois German version of Elem Klimov's 1985 Belarus-set Come and See, and it has some outstanding features…

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Review of Stories We Tell (2012)

By Sophie Mayer (12) for Sight and Sound (827) on 31 Dec 2013

Stories We Tell, uniquely, reveals its process as if we are thinking, sifting and selecting along with the filmmaker…

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Review of Fists of Legend (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 19 Dec 2013

Boisterously entertaining template serves as sly cover for commentary on the way that Korea's corrupted social and corporate structures have…

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Review of Upstream Color (2013)

By Michael Atkinson (678) for Sight and Sound (827) on 17 Dec 2013

Carruth's film feels like a subconscious flow of fears and anxieties. But the clarity of this anxiety is bruising and stunning…

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Review of The Act of Killing (2012)

By Tony Rayns (36) for Sight and Sound (827) on 16 Dec 2013

The emotionally manipulative use of some of the material raises all kinds of questions about veracity…

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Review of Wadjda (2012)

By Hannah Mcgill (136) for Sight and Sound (827) on 10 Dec 2013

Haifaa al Mansour's debut merits recognition for its fresh-feeling take on the trope whereby the travails of a child protagonist mirror those…

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Review of Computer Chess (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 22 Nov 2013

The code for the future has already been written - and as Bujalski seeks to discover who we are and where we come from (not just as wired-in…

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Review of Mark of the Devil (1970)

By Anton Bitel (1,340) for Sight and Sound (827) on 09 Nov 2013

It's a curiosity alright, but more akin to a Monty Python feature (with its tits out) than to, say, The Devils (1971)…

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Review of Nothing Left to Fear (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 09 Nov 2013

A far better remake of The Wicker Man (1973) than its official 2006 iteration, as well as a complicated discourse on the contradictions to…

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Review of Blood Glacier (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 09 Nov 2013

A smart, contemporary creature feature that addresses, through genre, the radical environmental changes that we're all dooming ourselves to…

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Review of The Zero Theorem (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 01 Nov 2013

Gilliam appears to have become trapped in the loop of his own fantasy - although, as fantasies go, it is a good one, dark and despairing precisely…

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Review of Only Lovers Left Alive (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 01 Nov 2013

Tilda Swinton and Tom Hiddleston may be decadent blood drinkers, but it is we mortals who are both mindless 'zombies' and a plague upon the…

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Review of Why Don't You Play in Hell? (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 01 Nov 2013

A deliriously gaudy celebration of the decline of everything (including Japanese cinema, film as a medium, and any notion of good taste), it…

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Review of Camp 14: Total Control Zone (2012)

By Anton Bitel (1,340) for Sight and Sound (827) on 03 Oct 2013

It is this very understatement, and the weight given to Shin's words over any accompanying sound or image, that prevent Wiese's film ever seeming…

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Review of At Berkeley (2013)

By Ashley Clark (57) for Sight and Sound (827) on 12 Sep 2013

Despite its intimidating length, Wiseman's structure - created entirely in the edit - fosters a set of hypnotic internal rhythms, allowing…

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Review of Pacific Rim (2013)

By Kim Newman (791) for Sight and Sound (827) on 10 Jul 2013

In action, the film is breathtaking, but as a whole it suffers from a relative lack of ambition…

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Review of The Reluctant Fundamentalist (2013)

By Anton Bitel (1,340) for Sight and Sound (827) on 06 Mar 2013

Nair carefully manipulates the viewers' prejudices & forces us to take sides in a conflict more complicated than it first appears, all to make…

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Review of Bank Holiday (1938)

By Michael Brooke (5) for Sight and Sound (827) on 25 Feb 2013

Although in essence it's a lightweight romantic melodrama with comic elements, it also provides a fascinating glimpse of the leisure activities…

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Review of Antiviral (2012)

By Anton Bitel (1,340) for Sight and Sound (827) on 01 Feb 2013

Growing gradually sicker and messier along with its conflicted protagonist, Antiviral is, in all its icily unpleasant ickiness, indeed perfect…

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Review of Deranged (2012)

By Anton Bitel (1,340) for Sight and Sound (827) on 30 Nov 2012

Virus thriller Deranged (Yeon-ga-si) tries hard to break free of its Contagion shackles by giving its infection a truly bizarre origin & symptomatology…

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