Movie Reviews Published by Sight and Sound - Page 15 of 42

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Review of Daughters of the Dust (1991)

By Lizzie Francke (5) for Sight and Sound (827) on 04 Jun 2017

This is balletic, operatic cinema, and a celebration of cinema itself…

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Review of Wonder Woman (2017)

By Kim Newman (791) for Sight and Sound (827) on 31 May 2017

The real success of the film is that Gadot is perhaps the cinema's best-cast DC-style aspirational superhero since Christopher Reeve's Superman…

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Review of The Florida Project (2017)

By Isabel Stevens (44) for Sight and Sound (827) on 23 May 2017

The off-kilter, unusual, matter-of-fact observations from a very young child bring a fresh perspective, realism and humour to well-worn territory…

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Review of Wonderstruck (2017)

By Sophie Monks Kaufman (221) for Sight and Sound (827) on 23 May 2017

While Carol's power was built on incremental emotional development, Wonderstruck stacks the deck so that it lives or dies by revelations in…

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Review of Spaceship (2016)

By Philip Kemp (186) for Sight and Sound (827) on 18 May 2017

Channelling elements of Gregg Araki, Gaspar Noé and Harmony Korine, Taylor submerges all this in a wealth of saturated colour, melancholic…

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Review of King Arthur: Legend of the Sword (2017)

By Nick Pinkerton (448) for Sight and Sound (827) on 18 May 2017

Ritchie's movie is handicapped by its obedience to the rules of modern franchising, putting aside much of the most potent Arthurian lore to…

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Review of Okja (2017)

By Trevor Johnston (624) for Sight and Sound (827) on 18 May 2017

A movie that showcases Bong's admirable flair for artfully unhinged spectacle, deftly undercut by a chastening reality check that never allows…

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Review of Alien: Covenant (2017)

By Kim Newman (791) for Sight and Sound (827) on 13 May 2017

Ridley Scott remains bent on the project of squeezing all suspense, mystery and terror (and, incidentally, life) out of the franchise that…

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Review of The Levelling (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 11 May 2017

Tensions rise, until eventually the barriers break & the emotions - chiefly despair & a deep-flowing love - come flooding…

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Review of Mindhorn (2016)

By Philip Kemp (186) for Sight and Sound (827) on 04 May 2017

Mindhorn is carried off with infectious gusto, and Barratt throws himself into the follies of the lead role with a lack of inhibition that…

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Review of Lady Macbeth (2016)

By Pamela Hutchinson (21) for Sight and Sound (827) on 26 Apr 2017

Lady Macbeth outclasses many of its peers in British period cinema, not because of its bold use of sex and violence, but because of its dramatic…

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Review of Guardians of the Galaxy Vol. 2 (2017)

By Kim Newman (791) for Sight and Sound (827) on 26 Apr 2017

The smallness of the story - it's all about petty gripes, projected as a threat to the whole galaxy - hampers the unironic aspiration to infinite…

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Review of Domain (2017)

By Anton Bitel (1,340) for Sight and Sound (827) on 20 Apr 2017

There is a decidedly existential flavour to the film's preoccupation with infernal routines and the hell of other people…

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Review of The Handmaiden (2016)

By Jonathan Romney (434) for Sight and Sound (827) on 12 Apr 2017

In this hyper-intricate construction of false leads and surprise reversals, the ultimate dupe - and a very willing one - is the viewer…

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Review of A Quiet Passion (2016)

By Thirza Wakefield (8) for Sight and Sound (827) on 06 Apr 2017

A Quiet Passion has all the wished-for clarity - of vision and of character - but it is not so certain of its subject as to enclose her and…

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Review of Starsuckers (2009)

By Isabel Stevens (44) for Sight and Sound (827) on 05 Apr 2017

The public are either sneered at or cast as victims, and throughout the psyche of the celeb-addict remains elusive…

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Review of Ghost in the Shell (2017)

By Kate Stables (138) for Sight and Sound (827) on 05 Apr 2017

Johansson emanates a dogged vulnerability that's supremely human…

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Review of Shed Your Tears and Walk Away (2009)

By Kieron Corless (4) for Sight and Sound (827) on 05 Apr 2017

The obliteration of distance between filmmaker and those being filmed carries over into the viewer's experience, an intimacy so raw and visceral…

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Review of Aquarius (2016)

By Jonathan Romney (434) for Sight and Sound (827) on 24 Mar 2017

Without over-explaining, the film suggests that beneath the elegance of Boa Viagem and, by implication, respectable Brazilian society, there…

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Review of Aquarius (2016)

By Jonathan Romney (434) for Sight and Sound (827) on 24 Mar 2017

Without over-explaining, the film suggests that beneath the elegance of Boa Viagem and, by implication, respectable Brazilian society, there…

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