Movie Reviews Published by SF Weekly - Page 11 of 28

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Review of Off the Rails (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 22 Dec 2016

In addition to being a character study of a tragic figure, Off the Rails is an indictment of a justice system that hasn't been on the rails…

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Review of Rogue One: A Star Wars Story (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 15 Dec 2016

Rogue One may be more intense than fun, but it's the best Star Wars prequel film by a long shot…

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Review of La La Land (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 15 Dec 2016

La La Land suffers from what it endeavors to celebrate: Hollywood's flair for artifice and self-congratulation…

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Review of Eden (2015)

By Sherilyn Connelly (422) for SF Weekly (560) on 13 Dec 2016

Eden may especially resonate with those who've struggled and put their all into their art, only to see their colleagues succeed and pull up…

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Review of Eden (2014)

By Sherilyn Connelly (422) for SF Weekly (560) on 13 Dec 2016

Eden may especially resonate with those who've struggled and put their all into their art, only to see their colleagues succeed and pull up…

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Review of Jackie (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 08 Dec 2016

Instead of devolving into a Warholian pop artifact, the prescient Jackie offers a raw blast of electoral catharsis…

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Review of Daughters of the Dust (1991)

By Sherilyn Connelly (422) for SF Weekly (560) on 01 Dec 2016

The dialect-heavy picture makes few concessions to mainstream storytelling and is all the stronger for it…

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Review of Ovation (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 01 Dec 2016

The real-life theater location gives the picture more production value than is often found in the Jaglomography, and Ovation…

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Review of My Little Pony: Equestria Girls - Legend of Everfree (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 23 Nov 2016

The result is more of a hang-out film than the first three, which is not necessarily a bad thing, and Everfree can't be accused of treading…

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Review of Always Shine (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 23 Nov 2016

Sophia Takal's unnerving Always Shine is the most overtly (and awesomely) feminist horror movie since last year's Felt…

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Review of Elle (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 17 Nov 2016

By the end of the film, the camera has come to feel much like a male intruder: unwelcome, unwanted, and better now that the screen has faded to black…

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Review of The Love Witch (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 10 Nov 2016

Biller plays with the mixed-up messages that pop culture sends both men and women…

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Review of Fire at Sea (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 10 Nov 2016

Fire at Sea meditates on how life can go on even with a front-row seat to unspeakable misery and injustice…

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Review of Tower (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 04 Nov 2016

In addition to being as close to a you-are-there document of an incident that the NRA would probably rather we forgot, Tower also works as…

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Review of King Cobra (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 04 Nov 2016

An uninspired addition to the canon of homosexual-killer films…

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Review of Gimme Danger (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 03 Nov 2016

One of the more entertaining boom-nostalgia docs of late…

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Review of Tangerines (2013)

By Jonathan Kiefer (305) for SF Weekly (560) on 31 Oct 2016

It's powered by casually great, lived-in acting, particularly from Lembit Ulfsak as the old man under whose roof the gruff Chechen mercenary…

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Review of Aquarius (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 26 Oct 2016

The battle for this property comes to represent a rapidly modernizing Brazil, but Filho is just as interested in Clara's unconscious desires…

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Review of Aquarius (2016)

By Jeffrey Edalatpour (80) for SF Weekly (560) on 26 Oct 2016

The battle for this property comes to represent a rapidly modernizing Brazil, but Filho is just as interested in Clara's unconscious desires…

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Review of We Are X (2016)

By Sherilyn Connelly (422) for SF Weekly (560) on 26 Oct 2016

Ultimately, it comes across more like a bonus disc than a feature film…

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