Movie Reviews Published by Seattle Post-Intelligencer - Page 18 of 122

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Review of The Count of Monte Cristo (2002)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 16 Mar 2015

As a revenge thriller, the movie is serviceable, but it doesn't really deliver the delicious guilty pleasure of the better film versions…

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Review of Hannibal (2001)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 14 Mar 2015

Has almost none of the nail-biting suspense and fascinating character interplay that made the original so authentically terrifying…

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Review of Zodiac (2007)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 09 Mar 2015

An absorbing and fulfilling experience -- even though it ends with a question mark…

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Review of Silk (2007)

By Bill White (195) for Seattle Post-Intelligencer (2,422) on 08 Mar 2015

Failing to make a lick of rational sense, Silk grasps at poetic straws…

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Review of Balls of Fury (2007)

By Andy Spletzer (26) for Seattle Post-Intelligencer (2,422) on 08 Mar 2015

The reason Balls of Fury works as well as it does, aside from its low aspirations, is because of the charm of Fogler in the lead…

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Review of Entrapment (1999)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 03 Mar 2015

It is strangely paced (especially in the beginning), always confusing to follow, and extremely awkward as a romance…

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Review of Punch-Drunk Love (2002)

By Paula Nechak (219) for Seattle Post-Intelligencer (2,422) on 03 Mar 2015

Sandler and Watson make something out of their underwritten roles, and that they do is testament to their talents: They make this punchy romantic…

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Review of The Class (2008)

By Sean Axmaker (1,564) for Seattle Post-Intelligencer (2,422) on 02 Mar 2015

The young cast, all nonactors who developed their characters with Cantet and Bégaudeau, brings the weight of full lives to each of the students…

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Review of U-571 (2000)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 28 Feb 2015

Definitely works as an action piece, it's often surprising and never boring, and several sequences had me positioned well on the edge of my seat…

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Review of The Boys of Baraka (2005)

By Bill White (195) for Seattle Post-Intelligencer (2,422) on 28 Feb 2015

The most interesting moments in the film are the videotapes sent back and forth between the parents and students, as they communicate the sadness…

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Review of Into the Wild (2007)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 26 Feb 2015

Penn's direction is amazingly sharp and intuitive, full of masterful touches that give an epic dimension and scope to the parable…

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Review of Standing in the Shadows of Motown (2002)

By Bill White (195) for Seattle Post-Intelligencer (2,422) on 22 Feb 2015

Everyone who has ever enjoyed the music that came out of Detroit's Motown Records in the 1960s should see Standing in the Shadows of Motown…

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Review of Bulletproof Monk (2003)

By Paul Lewis (1) for Seattle Post-Intelligencer (2,422) on 19 Feb 2015

Most surprising (and disappointing) is the film's lack of humor…

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Review of Bicentennial Man (1999)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 18 Feb 2015

Finally becomes a somber, sentimental and rather profound romantic fantasy that is more true to the spirit of the Golden Age of science-fiction…

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Review of Terminator 3: Rise of the Machines (2003)

By Sean Axmaker (1,564) for Seattle Post-Intelligencer (2,422) on 15 Feb 2015

In a summer of comic book super-operas dense with psychological torment and sprawling well over two hours, the unpretentious efficiency of…

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Review of Awesome; I Fuckin' Shot That! (2006)

By Bill White (195) for Seattle Post-Intelligencer (2,422) on 30 Jan 2015

For the most part, the film is a chaotic blur of disconnected movement that re-creates the feeling of an unforgettably bad concert experience…

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Review of Hot Fuzz (2007)

By Sean Axmaker (1,564) for Seattle Post-Intelligencer (2,422) on 29 Jan 2015

Hot Fuzz is something all too rare in movie comedies: a story rather than a string of disjointed skits, with hearty characters behind its caricatures…

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Review of Definitely, Maybe (2008)

By Sean Axmaker (1,564) for Seattle Post-Intelligencer (2,422) on 22 Jan 2015

Abigail Breslin, the preteen Oscar nominee for Little Miss Sunshine and the most effortless actress of her generation, plays the precocious…

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Review of The Ballad of Ramblin' Jack (2000)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 18 Jan 2015

Elevated out of the music-documentary genre to become something of an intriguing mystery -- and one with no neat solution…

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Review of Talk to Her (2002)

By William Arnold (1,101) for Seattle Post-Intelligencer (2,422) on 16 Jan 2015

The movie is occasionally funny, always very colorful and enjoyably overblown in the traditional Almodóvar style; and the performances --…

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