Movie Reviews Published by ScreenRant - Page 7 of 51

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Review of Phantom Thread (2017)

By Sandy Schaefer (333) for ScreenRant (1,013) on 19 Jan 2018

Phantom Thread is another gorgeous fever dream of a film by Anderson, with Day-Lewis' powerhouse performance matched by his costar Vicky Krieps' here…

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Review of Maze Runner: The Death Cure (2018)

By Molly Freeman (149) for ScreenRant (1,013) on 19 Jan 2018

Maze Runner: The Death Cure provides a satisfactory concluding chapter to the YA dystopian trilogy, and little else beyond action spectacle…

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Review of Proud Mary (2018)

By Molly Freeman (149) for ScreenRant (1,013) on 12 Jan 2018

Proud Mary is an entertaining enough thriller with some flare from director Babak Najafi, but works best as Taraji P. Henson's action vehicle…

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Review of Paddington 2 (2017)

By Sandy Schaefer (333) for ScreenRant (1,013) on 12 Jan 2018

Paddington 2 is a charming confection of a film that manages to exceed its predecessor in terms of both visual splendor and good-natured storytelling…

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Review of The Commuter (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 12 Jan 2018

The Commuter is a goofy and formulaic thriller, but also an entertaining one thanks to Neeson's action star chops and Collet-Serra's sense of style…

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Review of The Post (2017)

By Chris Agar (104) for ScreenRant (1,013) on 12 Jan 2018

The Post is an expertly-crafted and compelling film brought to tantalizing life by a master director and an all-star ensemble cast…

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Review of Insidious: The Last Key (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 05 Jan 2018

Insidious: The Last Key is a solid finale to the Insidious franchise that gives series lead Lin Shaye the chance to take a graceful final bow…

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Review of Downsizing (2017)

By Chris Agar (104) for ScreenRant (1,013) on 28 Dec 2017

Downsizing does the bare minimum with its out-of-the-box concept, telling a story that's dull and uninteresting in execution…

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Review of The Greatest Showman (2017)

By Chris Agar (104) for ScreenRant (1,013) on 28 Dec 2017

The Greatest Showman is a disjointed, glossy, sugar-coated mess that just skates by on Jackman's natural charm and charisma…

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Review of Bright (2017)

By Sandy Schaefer (333) for ScreenRant (1,013) on 28 Dec 2017

Bright is a muddled mess of a film that fails to produce any fresh concepts or creative ideas by mashing together two distinctly different genres…

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Review of Pitch Perfect 3 (2017)

By Molly Freeman (149) for ScreenRant (1,013) on 19 Dec 2017

Pitch Perfect 3 offers a satisfying conclusion to the a capella series, but sacrifices heart and substance for bizarre, over-the-top story choices…

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Review of Jumanji: Welcome to the Jungle (2017)

By Sandy Schaefer (333) for ScreenRant (1,013) on 19 Dec 2017

Welcome to the Jungle is an entertaining - if shallow - return to the world of Jumanji that's intended more for youngsters than nostalgic adults…

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Review of Star Wars: The Last Jedi (2017)

By Molly Freeman (149) for ScreenRant (1,013) on 12 Dec 2017

Star Wars: The Last Jedi builds upon Star Wars history for a more expansive, high-stakes adventure with plenty of fresh - and classic - elements…

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Review of Darkest Hour (2017)

By Molly Freeman (149) for ScreenRant (1,013) on 10 Dec 2017

Joe Wright's Darkest Hour stylishly follows Winston Churchill's early days as Prime Minister with a transformative performance from Gary Oldman…

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Review of The Disaster Artist (2017)

By Chris Agar (104) for ScreenRant (1,013) on 10 Dec 2017

The Disaster Artist is an endearing tale of friendship and chasing your dreams that packs a surprisingly poignant punch…

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Review of Psych: The Movie (2017)

By Kevin Yeoman (2) for ScreenRant (1,013) on 10 Dec 2017

Psych: The Movie uses a mercifully light touch, one that keeps the laughs on a steady drip while also pushing Shawn and Juliet toward a milestone…

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Review of Call Me by Your Name (2017)

By Molly Freeman (149) for ScreenRant (1,013) on 24 Nov 2017

Call Me By Your Name is a beautiful and powerful coming of age love story with remarkable performances from Armie Hammer and Timothée Chalamet…

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Review of Three Billboards Outside Ebbing, Missouri (2017)

By Sandy Schaefer (333) for ScreenRant (1,013) on 24 Nov 2017

Three Billboards wobbles during its tightrope walk between comedy and drama, but is kept on-course by careful direction and two fiery performances…

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Review of Roman J. Israel, Esq. (2017)

By Chris Agar (104) for ScreenRant (1,013) on 22 Nov 2017

Roman J. Israel, Esq. features another standout performance by Washington, but the story around him is mundane and fails to leave an impression…

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Review of Wonder (2017)

By Chris Agar (104) for ScreenRant (1,013) on 22 Nov 2017

Wonder is a touching tale of love and friendship, buoyed by strong performances from Jacob Tremblay and the rest of the cast…

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