Movie Reviews Published by ScreenRant - Page 2 of 51

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Review of Beautiful Boy (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 09 Nov 2018

Beautiful Boy is well-acted and handles a sensitive topic with the care it deserves, yet ends up being an 'important' film more than a well-made one…

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Review of Widows (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 09 Nov 2018

Widows masterfully blends high-art craftsmanship with a sharply drawn pulpy narrative to deliver a crime flick that's equally smart and entertaining…

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Review of Overlord (2018)

By Molly Freeman (149) for ScreenRant (1,013) on 08 Nov 2018

Overlord is an elevated B-movie that effectively blends war drama with zombie-Nazi horror for a wild, gory and fantastically fun thrill fest…

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Review of The Grinch (2018)

By Molly Freeman (149) for ScreenRant (1,013) on 07 Nov 2018

The Grinch works as a modernized retelling of Dr. Seuss's classic, with some compelling tweaks to the story and characters, for plenty of family fun…

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Review of The Fountain (1988)

By Brian Rentschler (4) for ScreenRant (1,013) on 05 Nov 2018

As with his other films, The Fountain is a labor of love for Aronofsky, and it shows…

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Review of The Fountain (1934)

By Brian Rentschler (4) for ScreenRant (1,013) on 05 Nov 2018

As with his other films, The Fountain is a labor of love for Aronofsky, and it shows…

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Review of The Fountain (2006)

By Brian Rentschler (4) for ScreenRant (1,013) on 05 Nov 2018

As with his other films, The Fountain is a labor of love for Aronofsky, and it shows…

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Review of X-Men: The Last Stand (2006)

By Vic Holtreman (121) for ScreenRant (1,013) on 01 Nov 2018

Overall, it really was disappointing, but at least it delivered some action, tidbits for the fans and a few suprises…

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Review of Prospect (2018)

By Chris Agar (104) for ScreenRant (1,013) on 01 Nov 2018

Prospect deserves credit for its ambitious vision and scope, but Earl and Caldwell's effort is undone by mediocre script and character work…

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Review of Ben Is Back (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 01 Nov 2018

Buoyed by the affecting performances from Julia Roberts and Lucas Hedges, Ben is Back makes for a compelling (though uneven) exploration of addiction…

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Review of Can You Ever Forgive Me? (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 01 Nov 2018

McCarthy and Grant make for a delicious pair of miscreants in Can You Ever Forgive Me?, a memoir brimming with sharp wit and social observations…

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Review of The Nutcracker and the Four Realms (2018)

By Molly Freeman (149) for ScreenRant (1,013) on 31 Oct 2018

The Nutcracker and the Four Realms has all the elements of an earnest holiday movie with family-friendly fun, but is less than the sum of its parts…

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Review of Suspiria (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 29 Oct 2018

Suspiria is an alluring blend of sociopolitical allegory and visceral supernatural horror that yields imperfect, yet all the same fascinating results…

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Review of Bohemian Rhapsody (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 24 Oct 2018

Despite a strong performance by Malek, Bohemian Rhapsody plays out as an excessively sanitized version of Queen's story, rather than a labor of love…

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Review of Halloween (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 18 Oct 2018

Driven by a committed Curtis, Halloween is mostly effective in the way it takes the slasher franchise back to its roots, yet builds on its foundation…

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Review of Outlaw King (2018)

By Molly Freeman (149) for ScreenRant (1,013) on 18 Oct 2018

Outlaw King is buoyed by strong performances, by Chris Pine in particular, but David Mackenzie's swords-and-mud epic is too plodding to be exciting…

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Review of Beautiful Boy (2011)

By Sandy Schaefer (333) for ScreenRant (1,013) on 18 Oct 2018

Beautiful Boy is well-acted and handles a sensitive topic with the care it deserves, yet ends up being an 'important' film more than a well-made one…

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Review of Apostle (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 14 Oct 2018

Apostle blends atmospheric storytelling with grisly brutality to mixed results, but makes for an effectively nasty (and bizarre) horror movie overall…

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Review of The Old Man & the Gun (2018)

By Sandy Schaefer (333) for ScreenRant (1,013) on 14 Oct 2018

The Old Man & the Gun is a pleasantly breezy cops and (aging) robbers tale anchored by Redford's charismatic performance - be it his last one or not…

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Review of First Man (2018)

By Chris Agar (104) for ScreenRant (1,013) on 14 Oct 2018

First Man is an intimate and epic biopic fueled by strong performances from its cast, as well as masterful craftsmanship by Chazelle…

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