Movie Reviews Published by ScreenAnarchy - Page 3 of 24

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Review of The Man Who Feels No Pain (2019)

By J Hurtado (110) for ScreenAnarchy (469) on 03 Oct 2018

A big, goofy cavalcade of crowd pleasing moments that add up to one of the most fun experiences I've had with a film this year…

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Review of Venom (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 03 Oct 2018

A Cleaned Up, Toned Down, Baffling Misfire…

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Review of Village Rockstars (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 27 Sep 2018

The atmosphere of Village Rockstars is so real that it almost feels like a documentary…

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Review of The Song of Sway Lake (2019)

By Sebastian Zavala Kahn (303) for ScreenAnarchy (469) on 23 Sep 2018

It conveys a palpable longing for endless summers and lazy afternoons, while also considering that the way one remembers the past is not necessarily…

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Review of High Life (2018)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 13 Sep 2018

High Life reveals its secrets in this slow-burn, disjointed, yet perfectly tuned narrative…

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Review of Sky Ladder: The Art of Cai Guo-Qiang (2017)

By Jason Gorber (520) for ScreenAnarchy (469) on 13 Sep 2018

With Sky Ladder: The Art of Cai Guo-Qiang [McDonald's] experience comes to the fore, constructing a film that packs into a feature length running…

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Review of Broken Ceiling (2018)

By Sebastian Zavala Kahn (303) for ScreenAnarchy (469) on 12 Sep 2018

a thrilling movie about despicable business practices that works, not only due to its well-executed story structure, but also thanks to…

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Review of If Beale Street Could Talk (2018)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 10 Sep 2018

A glorious anthem; a poem of the deepest love; a vision of colour and a testament to pain; an ode to Black America in all of its variations,…

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Review of The Nun (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 05 Sep 2018

A boring, uneventful, downright ludicrous attempt to capitalize on less than four minutes of screen time in an infinitely better film…

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Review of The Cleaning Lady (2018)

By Sebastian Zavala Kahn (303) for ScreenAnarchy (469) on 03 Sep 2018

A stylishly-shot and deeply unnerving glimpse into the disturbed mind of a young woman, and an exercise in tension and the grotesque…

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Review of The Meg (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 28 Aug 2018

The Meg is a ton of pre-historic scary fun, and the last big blast of the summer…

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Review of Brothers' Nest (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 28 Aug 2018

Reminiscent of the best of the Coens' work, Brothers' Nest is a future classic in the making…

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Review of The Happytime Murders (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 28 Aug 2018

The Happytime Murders is a one joke film that runs out of laughs way too fast…

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Review of Anna and the Apocalypse (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 07 Aug 2018

Even though we are aware that we are being taken on an unusual ride that we are meant to enjoy, the emotional stakes are high enough that the…

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Review of Inuyashiki (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 30 Jul 2018

Inuyashiki is absolutely breathtaking on every level…

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Review of Chained for Life (2019)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 30 Jul 2018

Both a commentary on the joys and pains of indie filmmaking, and a sly and deviously funny look at perceived identity via physical appearance,…

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Review of Violence Voyager (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 30 Jul 2018

Violence Voyager is an unforgettable experience both in terms of the insanity happening on screen, and the fascinating technical construction…

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Review of The Dark (2018)

By J Hurtado (110) for ScreenAnarchy (469) on 30 Jul 2018

The Dark is an unusual and refreshing film that was definitely one of the biggest surprises... at Fantasia…

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Review of The Man Who Killed Hitler and Then the Bigfoot (2019)

By J Hurtado (110) for ScreenAnarchy (469) on 30 Jul 2018

As it stands, The Man Who Killed Hitler and Then The Bigfoot is an uneven attempt at telling too many stories and succeeding with none…

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Review of Siberia (2020)

By Shelagh Rowan-Legg (77) for ScreenAnarchy (469) on 22 Jul 2018

It's hard to say exactly what the aim was of the filmmaking team behind Siberia…

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