Movie Reviews Published by Screen Daily - Page 8 of 52

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Review of The Estate (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 04 Nov 2022

Writer-director Dean Craig gathers a winning ensemble for his dark comedy and, intermittently, the characters’ rank awfulness is a joy to…

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Review of Ram Setu (2022)

By Namrata Joshi (252) for Screen Daily (1,021) on 01 Nov 2022

Even propaganda also needs to have some spark; Ram Setu is a damp squib…

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Review of Nocebo (2022)

By Nikki Baughan (240) for Screen Daily (1,021) on 01 Nov 2022

Nocebo combines traditional Filipino folklore with modern concerns about cultural exploitation, and while it is prone to moments of melodramatic…

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Review of Louis Armstrong's Black & Blues (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Oct 2022

Built around excerpts from Armstrong’s home audio recordings, which he made in private over the decades, the documentary is far from exhaustive…

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Review of Scarlet (2023)

By Lisa Nesselson (145) for Screen Daily (1,021) on 25 Oct 2022

Quietly rewarding thanks to an excellent cast whose faces we observe in frequent close-ups as their dirt-poor characters do their very best…

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Review of Scarlet (2023)

By Lisa Nesselson (145) for Screen Daily (1,021) on 25 Oct 2022

Quietly rewarding thanks to an excellent cast whose faces we observe in frequent close-ups as their dirt-poor characters do their very best…

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Review of The School for Good and Evil (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 20 Oct 2022

Despite a few touching scenes in which Sophie and Agatha reassert their bond amidst handsome suiters and devious spells, Good And Evil ends…

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Review of Black Adam (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Oct 2022

The latest instalment in the DC Extended Universe too often succumbs to the conventions of its genre — it’s a film suffused with hokey…

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Review of Brainwashed: Sex-Camera-Power (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 17 Oct 2022

Brainwashed doesn’t deliver the opposing views you might like to see aired in a film like this - it’s not a debate for her, even though…

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Review of Halloween Ends (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Oct 2022

Jamie Lee Curtis brings a regal bearing to her performance, but the prevailing feeling is of a cinematic series that’s probably best left for dead…

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Review of Last Flight Home (2022)

By Allan Hunter (1,486) for Screen Daily (1,021) on 10 Oct 2022

This is unflinching, but is very much a film of love and understanding…

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Review of Roald Dahl's Matilda the Musical (2022)

By Nikki Baughan (240) for Screen Daily (1,021) on 05 Oct 2022

This …Matilda is not just a big movie about a little girl finding her voice, but about the need to speak up against injustice, wherever its…

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Review of Till (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Oct 2022

Following up her Sundance prizewinner Clemency, director Chinonye Chukwu brings intelligence, sorrow and rage to what eventually becomes a…

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Review of Till (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Oct 2022

Following up her Sundance prizewinner Clemency, director Chinonye Chukwu brings intelligence, sorrow and rage to what eventually becomes a…

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Review of Please Baby Please (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 30 Sep 2022

Any film which features Demi Moore breathily vamping her way through an appreciation for her dishwasher and which permits Andrea Riseborough…

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Review of Young Plato (2022)

By Allan Hunter (1,486) for Screen Daily (1,021) on 28 Sep 2022

The bright sparks and troubled souls of the classroom make for lively, sometimes heartrending company in a film that successfully links individual…

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Review of Amsterdam (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 27 Sep 2022

Although stuffed with ambition and the occasionally arresting moment, this 1930s mystery flaunts a freewheeling spirit that far outpaces its…

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Review of My Imaginary Country (2022)

By Allan Hunter (1,486) for Screen Daily (1,021) on 23 Sep 2022

Guzman’s heart and soul investment in the film and the snapshots of people power in action make for an emotional and involving documentary…

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Review of Dalíland (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 18 Sep 2022

Daliland dials up the actorly pyrotechnics, but it’s all spectacle without insight, failing to lay a foundation for why this long-running…

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Review of The Swimmers (2022)

By Nikki Baughan (240) for Screen Daily (1,021) on 18 Sep 2022

Its impact comes not only from the real-life events it’s depicting, but also the way in which it frames this now-familiar tale; a triumph…

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