Movie Reviews Published by Screen Daily - Page 46 of 52

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Review of Red (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 09 Jul 2019

Writer/director Benjamin Naishtat’s subtle, twisting, state-of-the-nation drama works effectively as a noir-like thriller, and as an exploration…

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Review of The Raft (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Jun 2019

A thoughtful and fascinating piece, it’s a game of two halves, however, with Lindeen making heavy work of modern-day footage which tends…

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Review of Domino (2019)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 28 May 2019

Revenge may be a dish best served cold, but Domino dishes it up as a sloppy mess of warmed-over clichés…

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Review of Invisible Life (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 25 May 2019

Melodrama is a neglected genre, often delivered with a post-modern twist these days…

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Review of Tommaso (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 24 May 2019

It’s fair to ask whether the world really needs one more story about a flawed, brilliant, lustful older male artist, but Tommaso’s commitment…

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Review of Frankie (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 23 May 2019

The episodic, ruminative and very talky mood suggests something between Chekhov and Eric Rohmer – or at moments, Woody Allen without the…

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Review of The Lighthouse (2019)

By Lee Marshall (157) for Screen Daily (1,021) on 20 May 2019

The Lighthouse provides a marvellous chamber-drama platform for two actors, Robert Pattinson and Willem Dafoe, who seize the opportunity with gusto…

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Review of A Hidden Life (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 19 May 2019

Terrence Malick often wrestles with the cosmic, the spiritual and the eternal, but with A Hidden Life, the meditative writer-director attacks…

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Review of First Love (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 18 May 2019

An exhilarating cocktail of bloodbath violence and tar-black humour that will be catnip to Midnight Madness programmers and Miike devotees…

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Review of First Love (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 18 May 2019

An exhilarating cocktail of bloodbath violence and tar-black humour that will be catnip to Midnight Madness programmers and Miike devotees…

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Review of First Love (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 18 May 2019

An exhilarating cocktail of bloodbath violence and tar-black humour that will be catnip to Midnight Madness programmers and Miike devotees…

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Review of Little Joe (2019)

By Wendy Ide (1,500) for Screen Daily (1,021) on 17 May 2019

Boldly synthetic in its approach, in everything from colour palette to performance style, this film won’t be for everyone…

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Review of Atlantics (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 16 May 2019

An intense romance notable for the craft of the filmmaking and Diop’s original approach to complex issues of love, loss and the forces for…

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Review of The Third Wife (2019)

By John Berra (26) for Screen Daily (1,021) on 13 May 2019

If this focus on fleeting pleasures occasionally risks exoticizing the subject, Mayfair’s sensory approach to illustrating an almost unbearable…

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Review of The Silence of Others (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 06 May 2019

A though-provoking journey through the search for truth and reconciliation, The Silence of Others emerges as a moving salute to the small victories…

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Review of Yesterday (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 04 May 2019

Yesterday is a film we’re all familiar with, for better or worse…

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Review of Gay Chorus Deep South (2019)

By Nikki Baughan (240) for Screen Daily (1,021) on 04 May 2019

Gay Chorus Deep South draws its strength not only from its subject, but also the effective way in which it it presents its arguments…

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Review of Burning Cane (2019)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 03 May 2019

It takes more than simply celebrating rural life and marveling at nature to make someone the next David Gordon Green, let alone the next Terrence…

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Review of Recorder: The Marion Stokes Project (2019)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 01 May 2019

This is a small, carefully crafted film that tries hard to pierce the protective armor of a recluse known to be difficult and domineering…

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Review of Come to Daddy (2019)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 30 Apr 2019

Come to Daddy starts out like a nasty drama, ends up as a gruesomely gory, coldly comic revenge thriller – and desperately loses its way…

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