Movie Reviews Published by Screen Daily - Page 42 of 52

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Review of The Good Liar (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Nov 2019

Hoping to be a stylish, witty conman thriller, The Good Liar starts out as an amusing lark but fails to stay ahead of its audience, piling…

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Review of Midway (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Nov 2019

Wanting to honour history, Midway proves to be an oddly polite war film, afraid to be too exciting lest it interfere with the solemn tone…

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Review of Queen of Hearts (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 30 Oct 2019

The result is an intriguing, smartly sustained drama in which we learn to be wary of those who claim the moral high ground…

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Review of Queen of Hearts (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 30 Oct 2019

The result is an intriguing, smartly sustained drama in which we learn to be wary of those who claim the moral high ground…

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Review of Doctor Sleep (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 30 Oct 2019

Flanagan brings enough smarts and soul to the flawed, fascinating Doctor Sleep that he manages to escape The Shining’s shadow mostly unscathed…

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Review of I Lost My Body (2019)

By Lisa Nesselson (145) for Screen Daily (1,021) on 27 Oct 2019

I Lost My Body (J’ai perdu mon corps) is sit up and take notice animation…

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Review of Countdown (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 26 Oct 2019

The downside to a film that includes multiple shots of a clock counting down is that it provides audiences with an unintended rooting interest…

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Review of Earthquake Bird (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 26 Oct 2019

Everyone here appears to be revelling in the juicy opportunities Earthquake Bird brings to hit up our memories of everything from Fatal Attraction…

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Review of Citizen K (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 26 Oct 2019

Gibney’s story is clearly told and wholly engrossing…

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Review of Terminator: Dark Fate (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 22 Oct 2019

Unlike this film’s sleek killing machines, the new installment is creaky and sometimes clumsy, and yet it ultimately succeeds by delivering…

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Review of Black and Blue (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 22 Oct 2019

Although less convincing when it tries to say something meaningful about racism and police brutality, Black And Blue has sufficient pulp pleasures…

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Review of Maleficent: Mistress of Evil (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 15 Oct 2019

Mistress Of Evil invests heavily in inundating our eyeballs with relentless enchantment, which unfortunately translates into largely dreary…

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Review of The Addams Family (2019)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Oct 2019

Never satisfyingly kooky, spooky or ooky, the new animated Addams Family film transports Charles Addams’ lovably macabre clan into the 21st…

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Review of Celebration (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 07 Oct 2019

An elegant, sometimes eerie film, Celebration does not editorialise: its only implicit commentary is a futuristic electronic score, which suggests…

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Review of Celebration (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 07 Oct 2019

An elegant, sometimes eerie film, Celebration does not editorialise: its only implicit commentary is a futuristic electronic score, which suggests…

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Review of Memory: The Origins of Alien (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 03 Oct 2019

Although MEMORY follows some templates of the format, trying to lock Alien into a cultural and political framework, the film itself transcends…

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Review of Making Waves: The Art of Cinematic Sound (2019)

By Wendy Ide (1,500) for Screen Daily (1,021) on 29 Sep 2019

Fascinating and informative, it’s a ‘must-watch’ for film students and fans alike…

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Review of The Irishman (2019)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 27 Sep 2019

The Irishman is vintage Scorsese, with an often sinuously moving camera, occasional break-the-fourth-wall monologues, wicked wise-guy humour,…

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Review of Gemini Man (2019)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 26 Sep 2019

Seen at 60 frames per second (fps) on 3D-Plus (2K resolution), Ang Lee’s action spectacular Gemini Man proved a compulsive watch: not for…

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Review of The Disappearance of My Mother (2019)

By Allan Hunter (1,486) for Screen Daily (1,021) on 25 Sep 2019

The result of the collaboration between mother and son brings no great epiphanies but it remains a film that both beguiles and unsettles as…

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