Movie Reviews Published by Screen Daily - Page 38 of 52

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Review of Swimming Out Till the Sea Turns Blue (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 28 Feb 2020

Meditative and meandering, this handsomely shot but unfocused picture might present something of a challenge to all but the most dedicated…

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Review of The Roads Not Taken (2020)

By Lee Marshall (157) for Screen Daily (1,021) on 28 Feb 2020

Two bravura performances can’t disguise the thinness of a script that exposes just how uninteresting this ‘sliding doors’ game can be…

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Review of My Salinger Year (2020)

By Wendy Ide (1,500) for Screen Daily (1,021) on 26 Feb 2020

The transporting power of art is a difficult thing to capture in cinema at the best of times, and this film struggles to do so, leaning heavily…

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Review of Funny Face (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 26 Feb 2020

Tim Sutton’s idiosyncratic outsider romance contains moments of haunting oddness, but has a tendency to stab home its points and issues rather…

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Review of Shirley (2020)

By Jonathan Romney (434) for Screen Daily (1,021) on 25 Feb 2020

Shirley will find an eager audience at a cultural moment which increasingly values emotional expression…

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Review of The Invisible Man (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 24 Feb 2020

Whannell is so invested in unloading juicy surprises that this initially realistic story becomes increasingly preposterous, but Moss keeps…

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Review of Onward (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 21 Feb 2020

Burdened with a drab quest narrative and populated by sweet but unmemorable characters, the studio’s 22nd feature still delivers glorious…

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Review of The Garden Left Behind (2020)

By Allan Hunter (1,486) for Screen Daily (1,021) on 19 Feb 2020

Distinguished by a cast in which the trans characters are played by trans actors, the film effectively uses the trials of an individual life…

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Review of The Call of the Wild (2020)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 17 Feb 2020

Call Of The Wild isn’t animation, it isn’t live action, it isn’t fish, fowl or dog and somewhere in between it falls off its sled…

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Review of The Photograph (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 13 Feb 2020

Although the film sometimes dips into muddled melodrama, those occasional setbacks can’t derail a story filled with warm, resonant characters…

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Review of Sonic the Hedgehog (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 Feb 2020

Despite some sweetness and playful absurdity, this big-screen outing feels mostly like derivative, fussed-over product…

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Review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 05 Feb 2020

The movie is delightfully odd but not consistently inspired, often straining to rewrite the rules of superhero cinema, a mixture of good and…

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Review of Emma (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 03 Feb 2020

While the story’s sturdy, familiar structure remains resonant, this version never feels particularly inspired or revelatory, despite some…

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Review of Emma (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 03 Feb 2020

While the story’s sturdy, familiar structure remains resonant, this version never feels particularly inspired or revelatory, despite some…

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Review of Emma. (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 03 Feb 2020

While the story’s sturdy, familiar structure remains resonant, this version never feels particularly inspired or revelatory, despite some…

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Review of Welcome to Chechnya (2020)

By Stephen Whitty (1,794) for Screen Daily (1,021) on 02 Feb 2020

Built on a potent mixture of quiet bravery and hard-won access, David France’s new documentary, Welcome to Chechnya, puts audiences in the…

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Review of Tesla (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 02 Feb 2020

It can be a challenge to get on this movie’s frequency, but the strange signals Tesla emits are nonetheless fascinating…

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Review of The Glorias (2020)

By Tim Grierson (1,482) for Screen Daily (1,021) on 02 Feb 2020

Dramatising Steinem’s life during different periods, and with different actresses, Taymor has crafted an exceedingly thoughtful portrait…

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Review of Charm City Kings (2020)

By Anthony Kaufman (83) for Screen Daily (1,021) on 01 Feb 2020

Sure, the motorcycle wheelies are cool, but there’s nothing more intense than the raw emotion that comes from a mother trying to protect her child…

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Review of Nine Days (2021)

By Anthony Kaufman (83) for Screen Daily (1,021) on 01 Feb 2020

All in all, Nine Days is a stellar feature debut, with strong filmmaking, from its assured compositions to its superb dimly lit frames, where…

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