Movie Reviews Published by Screen Daily - Page 10 of 52

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Review of The Woman King (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2022

The Woman King doesn’t always successfully juggle its myriad narrative ambitions, but director Gina Prince-Bythewood has crafted battle sequences…

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Review of All the Beauty and the Bloodshed (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 10 Sep 2022

What becomes clear from the film, which vividly details the cultural backdrop as well as Goldin’s work, is that fear has never been part…

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Review of Weird: The Al Yankovic Story (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2022

Unlike Yankovic’s best songs, Weird’s inspired goofiness eventually runs out of gas, growing more and more outrageous without coming up…

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Review of Bros (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Sep 2022

A winning romantic comedy about two men whose emotional intimacy issues may jeopardise the good thing they’ve got going, Bros is frequently…

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Review of Barbarian (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Sep 2022

Dancing across multiple themes and frequently upending expectations, Barbarian keeps us wonderfully uncertain about where it’s going —…

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Review of The Inspection (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 09 Sep 2022

Bratton’s depth of feeling elevates the material, suggesting that, for the filmmaker, there’s something intensely cathartic and therapeutic…

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Review of Blonde (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 08 Sep 2022

Technically-skilled, well-acted and fatally over-long, it’s hard not to see Blonde as a chronicle of exploitation and abuse which merrily…

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Review of Return to Seoul (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 08 Sep 2022

Like its central character, this film is unconventional, and at times abrasive, but it has a seductive, searching quality and a swell of melancholy…

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Review of Pinocchio (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Sep 2022

Trying to recapture the magic of the 1940 animated classic, Robert Zemeckis’ live-action Pinocchio is a wooden, laboured affair…

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Review of Dead for a Dollar (2022)

By Lee Marshall (157) for Screen Daily (1,021) on 08 Sep 2022

Dead for a Dollar is a revisionist western served up in a traditional twine-tied package…

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Review of Pinocchio (2024)

By Tim Grierson (1,482) for Screen Daily (1,021) on 08 Sep 2022

Trying to recapture the magic of the 1940 animated classic, Robert Zemeckis’ live-action Pinocchio is a wooden, laboured affair…

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Review of The Eternal Daughter (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Sep 2022

The Eternal Daughter is at its most poignant when it plunges into the personal – in Swinton’s retreating mother and faltering daughter,…

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Review of Don't Worry Darling (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 05 Sep 2022

Crafted with style, and led by Florence Pugh’s redoubtable performance as a picture-perfect housewife who learns a horrifying truth, this…

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Review of The Banshees of Inisherin (2022)

By Jonathan Romney (434) for Screen Daily (1,021) on 05 Sep 2022

There’s more than a hint of other-worldly tragedy here, limned in parallel with the allusions to political conflict whose root causes no-one…

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Review of A Couple (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2022

Performance aside, the key issue is that endless griping about a shitty marriage – even the marriage of arguably the pre-eminent figure of…

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Review of The Whale (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2022

The film sets out to repulse us, and it frequently succeeds. It would be easy, and tempting, to dismiss it out of hand…

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Review of Argentina 1985 (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 04 Sep 2022

A courtroom drama with a committed, awards-worthy performance from Ricardo Darin, this tense, lengthy, frequently funny film stands with the…

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Review of Athena (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 03 Sep 2022

Wielding an ambitious visual strategy and volatile political commentary, Athena explodes but then fizzles, its often arresting images slowly…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 03 Sep 2022

It’s impossible to deny the strength of the startling array of thoughts and concepts which Inarritu has brought to life and, ultimately,…

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Review of Bones and All (2022)

By Lee Marshall (157) for Screen Daily (1,021) on 02 Sep 2022

By the end, loving and eating, wanting and devouring are made to converge in ways that are both gruesome and fascinating, thought-provoking…

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