Movie Reviews Published by SciFiNow - Page 6 of 19

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Review of Most Beautiful Island (2017)

By Jonathan Hatfull (125) for SciFiNow (378) on 01 Dec 2017

It's so exciting to see a film with such a firm grip on its audience's collective throat…

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Review of Justice League (2017)

By Jonathan Hatfull (125) for SciFiNow (378) on 15 Nov 2017

There's a sense of laying the groundwork, with new characters to be introduced, new attitudes to establish, and a new team to bring to life…

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Review of Carnival of Souls (1962)

By Sarah Dobbs (23) for SciFiNow (378) on 01 Nov 2017

If characters in a horror movie are watching an old black and white movie on TV late at night, and it's not Night Of The Living Dead, it's…

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Review of Jigsaw (2017)

By Sarah Dobbs (23) for SciFiNow (378) on 30 Oct 2017

Jigsaw isn't just re-treading old ground; it's new and old at the same time, a complex, tense, and brutal gorefest that feels completely unlike…

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Review of Happy Death Day (2017)

By Sarah Dobbs (23) for SciFiNow (378) on 22 Oct 2017

If you're looking for outright scares, you might be disappointed; for a slasher, Happy Death Day is also very light on bloodshed…

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Review of Geostorm (2017)

By Jonathan Hatfull (125) for SciFiNow (378) on 22 Oct 2017

If you think you know what you're getting with Geostorm, well, you're probably right…

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Review of Downsizing (2017)

By Abigail Chandler (15) for SciFiNow (378) on 17 Oct 2017

It works best as a series of fun vignettes about downsizing - all enjoyable…

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Review of The Snowman (2017)

By Jonathan Hatfull (125) for SciFiNow (378) on 11 Oct 2017

While there is a myriad of issues to pick apart, the most disappointing is that there is simply no atmosphere…

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Review of The Ritual (2017)

By Katherine Mclaughlin (276) for SciFiNow (378) on 11 Oct 2017

Though some of the dread filled potency is lost in the final third with a twist that turns the focus away from psychological terrain for the…

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Review of Thelma (2017)

By Katherine Mclaughlin (276) for SciFiNow (378) on 11 Oct 2017

The entire film is exquisitely crafted in its depiction of oppression and the sweet release of eventually breaking free from its grasp…

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Review of Ghost Stories (2018)

By Anton Bitel (1,340) for SciFiNow (378) on 09 Oct 2017

So agile is Dyson & Nyman's conversion of their own materials from stage to screen, so spookily evocative, & ultimately disorienting, their…

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Review of Blade Runner 2049 (2017)

By Jonathan Hatfull (125) for SciFiNow (378) on 02 Oct 2017

Blade Runner 2049 is excellent…

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Review of The Bad Batch (2017)

By Josh Slater-Williams (157) for SciFiNow (378) on 21 Sep 2017

The style mishmash - also including a bit of Mad Max - doesn't coalesce into anything substantial, nor do the flashy attempts at transgression…

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Review of The Last Airbender (2010)

By Alasdair Morton (3) for SciFiNow (378) on 18 Sep 2017

A poor effort from a director who once promised so much…

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Review of Lovely Molly (2011)

By James Hoare (6) for SciFiNow (378) on 18 Sep 2017

There's a pleasing cyclical neatness to Lovely Molly…

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Review of Green Lantern (2011)

By Samuel Roberts (2) for SciFiNow (378) on 18 Sep 2017

This is pure popcorn entertainment, a one-dimensional outing that is more in the ballpark of Thor and Fantastic Four than anything else…

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Review of The Last Exorcism (2010)

By Alasdair Morton (3) for SciFiNow (378) on 18 Sep 2017

The film is at its most chilling, though, when considering the possibility for cruelty that is created when powerful emotions (grief, guilt)…

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Review of Abraham Lincoln: Vampire Hunter (2012)

By Gavin Watson (1) for SciFiNow (378) on 18 Sep 2017

If you ever wanted to see a vampire throw a horse at a would-be President, or see a man chop down a tree with one blow, Abraham Lincoln: Vampire…

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Review of Frankenweenie (2012)

By Jodie Tyley (6) for SciFiNow (378) on 18 Sep 2017

It's a corpse of an idea preserved in formaldehyde and brought back to life with a few stitches and bolts tacked on…

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Review of Sinister (2012)

By Krystal Sim (6) for SciFiNow (378) on 18 Sep 2017

It's not the most original premise, but has some solid performances and genuinely disturbing moments nonetheless…

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