Movie Reviews Published by San Francisco Chronicle - Page 21 of 382

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Review of Becoming Cousteau (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 20 Oct 2021

As the documentary was produced by National Geographic with the cooperation of the Cousteau Society, Garbus has access to some fabulous, colorfully…

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Review of The Harder They Fall (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 20 Oct 2021

If The Harder They Fall doesn’t make Westerns popular again, I don’t know what can…

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Review of Bergman Island (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 19 Oct 2021

One of the most playful films about cinema in recent memory, and even with its angst, is more joyful than any film Bergman made on the island…

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Review of Four Hours at the Capitol (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 18 Oct 2021

A documentary that doesn’t have the stomach to tell the story of what happened on Jan…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 18 Oct 2021

The artistic signature is unmistakable — 30 seconds in, you’d know you were watching a Wes Anderson movie…

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Review of The Velvet Underground (2021)

By Joel Selvin (24) for San Francisco Chronicle (7,630) on 18 Oct 2021

Over the years, the Velvets’ slim but potent catalog has been elevated into the pantheon of classic rock, but only now Haynes has appropriately…

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Review of Halloween Kills (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 15 Oct 2021

It’s average. If you like this sort of movie, knock yourself out…

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Review of Needle in a Timestack (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 14 Oct 2021

The movie is almost all conversations, most of which are intriguing and sensitively structured, with little action…

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Review of Dune (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 14 Oct 2021

The movie’s length is, at times, a challenge, but Dune is so original and contains so many strong scenes that the length mostly isn’t a problem…

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Review of Antlers (2021)

By Robert Morast (5) for San Francisco Chronicle (7,630) on 12 Oct 2021

Antlers is a very effective, chilling film…

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Review of The Last Duel (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 11 Oct 2021

The Last Duel, directed by Ridley Scott, gives us the texture of life in 14th century France, so much so that we feel that we are there, in…

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Review of Madonna: Madame X (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 08 Oct 2021

If you ever liked Madonna, this concert film will remind why you weren’t wrong. Madame X is somewhere between a success and a triumph…

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Review of The Manor (2021)

By Chris Vognar (609) for San Francisco Chronicle (7,630) on 07 Oct 2021

The Manor establishes itself as a solid piece of paranoia horror…

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Review of The Manor (2021)

By Chris Vognar (609) for San Francisco Chronicle (7,630) on 07 Oct 2021

The Manor establishes itself as a solid piece of paranoia horror…

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Review of LAMB (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 06 Oct 2021

The narrative doesn’t generate much interest; the nature of the ultimate ending is discernible from a distance, and the movie’s message…

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Review of Lamb (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 06 Oct 2021

The narrative doesn’t generate much interest; the nature of the ultimate ending is discernible from a distance, and the movie’s message…

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Review of Diana: The Musical (2021)

By Lily Janiak (10) for San Francisco Chronicle (7,630) on 01 Oct 2021

Writers David Bryan and Joe DiPietro are somehow always generous yet trenchant with their rich source material…

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Review of Titane (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 30 Sep 2021

The story is the story, and you’ll either connect with it or you won’t…

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Review of Venom: Let There Be Carnage (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 30 Sep 2021

To say Venom: Let There Be Carnage is not worth seeing is not enough. It’s not worth admitting into your life, even as an option…

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Review of No Time to Die (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 29 Sep 2021

Craig leaves the series in a mammoth, 163-minute extravaganza that audiences will be enjoying for decades. It’s a lovely thing to see…

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