Movie Reviews Published by Rolling Stone - Page 9 of 202

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Review of Moonage Daydream (2022)

By Rob Sheffield (2) for Rolling Stone (4,035) on 16 Sep 2022

It could have been a straightforward documentary about the David Bowie story — but who wants straightforward when it comes to Bowie…

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Review of All the Beauty and the Bloodshed (2022)

By David Fear (910) for Rolling Stone (4,035) on 15 Sep 2022

It entered the festival circuit as a politically charged take on the standard there-goeth-the-great-artist story and exited it as a peerless…

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Review of The Fabelmans (2022)

By David Fear (910) for Rolling Stone (4,035) on 13 Sep 2022

If the movie does adhere to his signature beats, and feature so many recognizable Spielbergisms, occasionally to its detriment, it’s still…

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Review of Weird: The Al Yankovic Story (2022)

By David Fear (910) for Rolling Stone (4,035) on 09 Sep 2022

It’s not exactly the second coming of Walk Hard, though it’s the best Weird Al movie since UHF [cue laugh track and maybe a Whoppee Cushion…

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Review of Athena (2022)

By David Fear (910) for Rolling Stone (4,035) on 08 Sep 2022

It’s a movie that utilizes every bit of Gavras’ abundant chops and marshals them to make a coherent statement, tapping brains and heart…

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Review of Honk for Jesus. Save Your Soul. (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 06 Sep 2022

Honk for Jesus is a fine, often funny movie about the moral hypocrisy of the church and an even better movie about a woman forced to endure…

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Review of Don't Worry Darling (2022)

By David Fear (910) for Rolling Stone (4,035) on 05 Sep 2022

By the time Darling‘s revelations are supposed to double as a call to revolution, you’re left with the sense that you’ve just witnessed…

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Review of Funny Pages (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 30 Aug 2022

Owen Kline’s script is boisterous, funny, and very much committed to the bit…

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Review of Breaking (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 29 Aug 2022

Breaking is a family affair, a film that works because every person in its cast, even those playing the “villains,” gives you a character…

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Review of Three Thousand Years of Longing (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 26 Aug 2022

When it’s working, Three Thousand Years is an old curiosity shop of a movie, a cache of curios and strange conceits, many of which, when…

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Review of Orphan: First Kill (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 24 Aug 2022

It’s funny to think of this new chapter, with all its mean twists and its tense character convolution, as a prelude to the story we already…

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Review of Free Chol Soo Lee (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 22 Aug 2022

Free Chol Soo Lee is not a true crime documentary. If anything, it goes out of its way to avoid becoming one…

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Review of Emily the Criminal (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 15 Aug 2022

As a social tract, Emily the Criminal is more impassioned than wise. As a thriller, it fares better — in that case, no one’s asking for wisdom…

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Review of House of D (2004)

By Peter Travers (3,602) for Rolling Stone (4,035) on 13 Aug 2022

The film looks and feels authentic, but Duchovny has powered his undeniably personal journey with a counterfeit heart…

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Review of Emergency Declaration (2022)

By David Fear (910) for Rolling Stone (4,035) on 12 Aug 2022

This is still star-driven, big-screen goofiness writ large, something to be consumed with popcorn and a crowd, and that fact its hitting U.S…

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Review of Summering (2022)

By David Fear (910) for Rolling Stone (4,035) on 09 Aug 2022

Summering works better as a mood than it does a movie, succeeding in channeling a certain feeling of transition despite ambling, or occasionally…

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Review of Bodies Bodies Bodies (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 08 Aug 2022

It wants to be a slasher, but it isn’t reckless enough. It wants to be funny, but it only has two jokes, and it repeats them ad nauseum…

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Review of Sharp Stick (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 08 Aug 2022

What makes Dunham’s art worth watching is what makes so much of it feel like a gamble. It invites projection…

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Review of Easter Sunday (2022)

By Katie Rife (451) for Rolling Stone (4,035) on 05 Aug 2022

It’s clear that Jo Koy loves his relatives, and wants the world to know it…

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Review of Prey (2022)

By David Fear (910) for Rolling Stone (4,035) on 04 Aug 2022

Prey, director Dan Trachtenberg’s addition to the Predatorverse, isn’t just an intriguing expansion of the series or a cool intellectual-property…

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