Movie Reviews Published by RogerEbert.com - Page 95 of 279

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Review of Motherless Brooklyn (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 31 Oct 2019

The most surprising thing about director/writer/star Edward Norton’s Motherless Brooklyn is how drastically it departs from its source…

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Review of Gay Chorus Deep South (2019)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 30 Oct 2019

The overwhelming positivity in this footage is illuminating and encouraging, yet also more than a touch puzzling, raising questions of precisely…

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Review of The Cat and the Moon (2019)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Oct 2019

It’s worth noting that The Cat and the Moon is almost two hours long — Wolff could have easily cut it to 85 minutes and achieved the same…

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Review of Paradise Hills (2019)

By Monica Castillo (380) for RogerEbert.com (5,563) on 25 Oct 2019

Paradise Hills wants so badly to be a sci-fi movie with a message for right now — perhaps to tap into the feminist anger out there now or…

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Review of Portals (2019)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Oct 2019

Portals is something of a bait-and-switch…

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Review of The Gallows Act II (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Oct 2019

It’s easy to see why even Blum wanted to forget The Gallows: Act II. It may be his company’s worst film…

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Review of Girl on the Third Floor (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 25 Oct 2019

Stevens slowly and subtly unpacks that heady, provocative conceit with care and in a way that makes his directorial debut feel like the arrival…

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Review of Countdown (2019)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 25 Oct 2019

Countdown pretty much fails on every level that a horror film possibly can — the characters are uninteresting dullards, the story is idiotic,…

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Review of The Cat & the Moon (2019)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Oct 2019

It’s worth noting that The Cat and the Moon is almost two hours long — Wolff could have easily cut it to 85 minutes and achieved the same…

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Review of Black and Blue (2019)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 25 Oct 2019

Black and Blue is a B-movie through and through — and that’s actually a compliment…

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Review of Portals (2019)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Oct 2019

Portals is something of a bait-and-switch…

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Review of Western Stars (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Oct 2019

A lovely companion piece to the latest album from the legendary musician, a gorgeous, introspective journey into the very concept of the American…

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Review of Synonyms (2019)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Oct 2019

But the movie is, for all its accomplishment, sketchy, tentative…

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Review of Mountaintop (2019)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 24 Oct 2019

For fans of Neil Young and Crazy Horse, Mountaintop is pretty much a must-see—it gives them a chance to see their heroes at work in a raw…

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Review of Burning Cane (2019)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 23 Oct 2019

God is destined to forever be a complicated subject for most mortals, yet there’s no question this film has made me a believer in the boundless…

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Review of Eli (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 18 Oct 2019

The end of Eli subverts the majority of Eli, making it kind of like a cheap game…

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Review of Wounds (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 18 Oct 2019

Armie Hammer’s Will is definitely hollow at the core…

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Review of Tell Me Who I Am (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 18 Oct 2019

Their tangible shared pain quickly turns an awkward performativeness into a most genuine therapy session, one that is both disarming and uplifting…

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Review of The Cave (2019)

By Monica Castillo (380) for RogerEbert.com (5,563) on 18 Oct 2019

In a sea of so much tragedy, it’s a marvel to stop and consider each individual’s experience fighting the tide…

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Review of Cyrano, My Love (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 18 Oct 2019

It is lively, fast paced, charming and funny, and it showcases an especially delightful comic performance from Belgian and French cinema stalwart…

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