Movie Reviews Published by RogerEbert.com - Page 88 of 279

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Review of Burden (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 28 Feb 2020

There are elements here, most of them embedded in another great physical performance from Garret Hedlund, that keep Burden from completely…

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Review of Blood on Her Name (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 28 Feb 2020

Allowing the viewer to piece things together on their own is always welcome, but the film’s desire to surprise and outwit makes it contrived…

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Review of Straight Up (2020)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 28 Feb 2020

An assured and refreshing first feature from writer/director/star James Sweeney…

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Review of Saint Frances (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Feb 2020

It's truly refreshing to watch a film where nobody has anything figured out, where life proceeds messily and imperfectly…

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Review of All the Bright Places (2020)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Feb 2020

The film’s frank talk about mental illness, suicidal thoughts, physical abuse and family loss is so potent and necessary that it makes you…

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Review of Disappearance at Clifton Hill (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 28 Feb 2020

Never as fun as it should be, despite a gripping central crime…

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Review of The Invisible Man (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 27 Feb 2020

Moss continues to deliver what we crave from woman characters: the kind of messy yet sturdy intricacy many of today’s thinly conceived you-go-girl…

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Review of Impractical Jokers: The Movie (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Feb 2020

You don’t get entirely skilled comedy from the Impractical Jokers, but you do get to see four guys who have turned forcefully messing with…

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Review of Emma (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Feb 2020

You’d think we would be Emma-ed out by now. Not so…

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Review of Greed (2020)

By Simon Abrams (730) for RogerEbert.com (5,563) on 21 Feb 2020

Greed is never the sum of its best parts since other actors — especially Jamie Blackley, who, playing young McCreadie in a series of flashbacks,…

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Review of The Night Clerk (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 21 Feb 2020

Inert to such a degree that one wonders if the film has been slowed down, The Night Clerk doesn’t really go anywhere, truly disappointing…

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Review of Premature (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 21 Feb 2020

At times, Premature has the same fly-on-the-wall, near-improvisational and casually meandering qualities of a Cassavetes film, though its refreshingly…

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Review of Greed (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 21 Feb 2020

Greed is never the sum of its best parts since other actors — especially Jamie Blackley, who, playing young McCreadie in a series of flashbacks,…

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Review of Standing Up, Falling Down (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 21 Feb 2020

Yes, you’ve seen this type of story before, but Standing Up, Falling Down shows that there can still be a little magic—and charisma—when…

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Review of Emma. (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Feb 2020

You’d think we would be Emma-ed out by now. Not so…

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Review of Viral: Antisemitism in Four Mutations (2020)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 21 Feb 2020

There’s no question that Islamophobia is also on the rise around the globe, and this film — however inadvertently and well-intentioned…

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Review of Emma (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Feb 2020

You’d think we would be Emma-ed out by now. Not so…

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Review of Once Were Brothers: Robbie Robertson and the Band (2020)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 21 Feb 2020

These amiable fellow don’t understand young Robbie’s ambitions — what’s with the rock ’n’ roll and all…

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Review of Goldie (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 21 Feb 2020

Despite the heartbreaking notes of its ending, this vibrant film makes you want to believe that things will somehow and magically turn out…

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Review of The Call of the Wild (2020)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 20 Feb 2020

The problem is less the technology, which is very impressive, than it is the uneven storyline, which zigzags from slapstick to poignance to action…

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