Movie Reviews Published by RogerEbert.com - Page 81 of 279

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Review of A Nice Girl Like You (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 17 Jul 2020

If A Nice Girl Like You would have stayed the course of the book it’s based on, Ayn Carrillo-Gailey’s 2007 memoir Pornology, it might have…

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Review of Dirt Music (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 17 Jul 2020

For those who like their romance movies filled with unnecessary mysteries, murdered dogs, poached lobsters and the ghosts of deceased little…

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Review of Fatal Affair (2020)

By Nick Allen (397) for RogerEbert.com (5,563) on 16 Jul 2020

Their game of cat-and-mouse is not meant to be original in the slightest, but there's no good reason for it to be this dull…

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Review of Decade of Fire (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Jul 2020

More than anything else, though, Decade of Fire succeeds as one of the best explanations in recent cinema of what the phrase systemic racism means…

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Review of Greyhound (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Jul 2020

Greyhound starts to become numbing in its tactics, a film that’s simplicity feels more shallow than lean. And, yes, there is a difference…

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Review of Archive (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 10 Jul 2020

Archive is a somewhat unwieldy sci-fi thriller to get into. The plot twists are many, and so are the cliches…

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Review of Bloody Nose, Empty Pockets (2020)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 10 Jul 2020

Bursting with humanity, grounded in humility, and in love with the poetry of faces, Bloody Nose, Empty Pockets is a classic indie film that…

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Review of The Old Guard (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 10 Jul 2020

In addition to observing the humanity of its heroes, The Old Guard also employs Prince-Bythewood’s penchant for grandiose, melodramatic gestures…

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Review of Archive (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 10 Jul 2020

Archive is a somewhat unwieldy sci-fi thriller to get into. The plot twists are many, and so are the cliches…

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Review of Guest of Honour (2020)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 10 Jul 2020

Guest of Honour, a knotty memory play and character study that, not unsurprisingly, screened at last fall’s Toronto fest, is a gratifyingly…

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Review of Palm Springs (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 10 Jul 2020

With all the humor, though, the film strikes an unexpectedly tender almost bittersweet chord, the humor shadowed by sorrow, loneliness, helplessness…

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Review of The Beach House (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 09 Jul 2020

After a slightly rocky first act that succumbs to thin generational differences, Brown allows his slow burn to catch fire and doesn’t look…

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Review of The Truth (2020)

By Odie Henderson (402) for RogerEbert.com (5,563) on 03 Jul 2020

The Truth doesn’t have very much of a plot…

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Review of Desperados (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 03 Jul 2020

Agonizing, blandly shot Desperados, which is among the most abysmal romantic comedies that came out of this century…

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Review of The Outpost (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Jul 2020

While dozens of movies have sought to recreate the unimaginable horror of literally fighting your life, The Outpost connects more than most,…

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Review of Relic (2020)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Jul 2020

Relic, with a script co-written by James and Christian White, is filled with subtle detail, character depth, and a creeping mood of dread,…

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Review of John Lewis: Good Trouble (2020)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 02 Jul 2020

Director Dawn Porter’s film is an intimate homage to both the legend and the man, as spry and lively as Lewis himself…

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Review of Denise Ho: Becoming the Song (2020)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 01 Jul 2020

I went into the film knowing nothing about the Cantopop star, and came away from it as an instant fan rejuvenated by my connection to every…

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Review of Force of Nature (2020)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 30 Jun 2020

Even a script written by algorithm would make more sense than Force of Nature, a dumb dud of a movie that relies on the most preposterous of…

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Review of Welcome to Chechnya (2020)

By Monica Castillo (380) for RogerEbert.com (5,563) on 30 Jun 2020

Welcome to Chechnya is both astonishingly groundbreaking in its use of technology, and difficult to watch…

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