Movie Reviews Published by RogerEbert.com - Page 67 of 279

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Review of Supernova (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 29 Jan 2021

It’s a movie that finds most of its power through silence—the proud and yet pained look Tucci gives to Firth during that speech will stick…

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Review of Beginning (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 29 Jan 2021

To its mild detriment, Beginning stays on a cerebral plane even at its most ravaging and emotionally intense…

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Review of Softie (2022)

By Monica Castillo (380) for RogerEbert.com (5,563) on 28 Jan 2021

The film is just as much about politics as it is a family working out the demands of a politically active life with the demands of the home…

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Review of Caged (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 26 Jan 2021

Watching Harlow struggle with the simultaneously impersonal and obviously prejudiced nature of his imprisonment is often enough to make Caged…

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Review of Wrong Turn (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Jan 2021

The culture clash here between goddamn hipster freaks and people of the woods is more complicated here, and the way it unfolds is brutal and…

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Review of The Little Things (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2021

It’s a movie that's constantly on the verge of developing into something as intense and haunting as writer/director John Lee Hancock wants…

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Review of PG: Psycho Goreman (2020)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Jan 2021

Psycho Goreman isn’t clever or lively enough to be more than fitfully fun, especially given how much time is spent mocking generic, but painstakingly…

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Review of No Man's Land (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Jan 2021

For a movie that’s about a character on the run, No Man’s Land meanders and takes its time in a way that feels in conflict with the narrative…

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Review of Brothers by Blood (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 22 Jan 2021

A superficial force eats at this movie from the inside, including the way that it’s a brawny script with nil visual grit, and a style that…

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Review of Our Friend (2019)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 22 Jan 2021

Our Friend is very good where it really counts and that's on the small details, the everyday life aspect of doing errands, cooking dinner,…

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Review of No Man's Land (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Jan 2021

For a movie that’s about a character on the run, No Man’s Land meanders and takes its time in a way that feels in conflict with the narrative…

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Review of Born a Champion (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Jan 2021

Whether I should call this movie a “passion project” or a “vanity project” is something I’ve thought about, and since it appears…

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Review of No Man's Land (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Jan 2021

For a movie that’s about a character on the run, No Man’s Land meanders and takes its time in a way that feels in conflict with the narrative…

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Review of Don't Tell a Soul (2020)

By Simon Abrams (730) for RogerEbert.com (5,563) on 19 Jan 2021

An ambitious black comedy that never goes far enough…

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Review of News of the World (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 19 Jan 2021

Yes, it’s relatively predictable and arguably a little thin in terms of ambition, but it’s also refined and nuanced in ways that these…

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Review of Some Kind of Heaven (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 19 Jan 2021

Robert Browning promised that old age would be the last of life for which the first is made…

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Review of Hunted (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 19 Jan 2021

There’s a better version of Hunted that either leans more into its surreal flights of fancy or settles into gritty, tense realism…

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Review of Outside the Wire (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 19 Jan 2021

The visual effects are decent, the cast is better than decent, and that’s all, folks…

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Review of The Marksman (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 19 Jan 2021

It’s time for your annual Liam Neesoning: that cinematic tradition in which the seasoned star plays a grizzled character with a particular…

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Review of The Empty Man (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 Jan 2021

The Empty Man draws comparisons to junky studio fare like “The Bye Bye Man” and “Slender Man” but this is a far more ambitious and…

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