Movie Reviews Published by RogerEbert.com - Page 62 of 279

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Review of For the Sake of Vicious (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 17 Apr 2021

Unfortunately, the quality of storytelling here often isn’t strong enough to hold one’s interest throughout such a diminutive runtime…

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Review of Monday (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Apr 2021

Despite the dazzling, sun-soaked scenery, the long nights of partying and the sight of these attractive actors stripping themselves bare—physically…

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Review of Trigger Point (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 16 Apr 2021

As is customary for many hack films, the writer or producer or whoever it was that nailed down the title Trigger Point for this cinematic bag…

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Review of Monday (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Apr 2021

Despite the dazzling, sun-soaked scenery, the long nights of partying and the sight of these attractive actors stripping themselves bare—physically…

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Review of Monday (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Apr 2021

Despite the dazzling, sun-soaked scenery, the long nights of partying and the sight of these attractive actors stripping themselves bare—physically…

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Review of Bill Traylor: Chasing Ghosts (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 16 Apr 2021

Chasing Ghosts has a great idea in showcasing as much of Traylor’s work as possible, and next to the creations of other Black artists, but…

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Review of We Broke Up (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 16 Apr 2021

Although the relationship at the heart of We Broke Up may be messy and complicated, Rosenberg ties all of the story’s elements together into…

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Review of Vanquish (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 16 Apr 2021

Although Vanquish is otherwise as forgettable as can be—that may be the closest thing that it has to a virtue—there's still one thing about…

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Review of Jakob's Wife (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 16 Apr 2021

In Jakob’s Wife, the classic vampire theme is looped into an insightful and often very funny commentary on marriage and the limitations placed…

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Review of The Banishing (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 15 Apr 2021

Despite a few strong production values and performances, Smith’s film simply crosses the lane into incoherency and not the surreal David…

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Review of Honeydew (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Apr 2021

When the inevitable finale with a thoroughly sign-posted twist arrives, you might realize you’ve already spent all your goodwill towards…

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Review of Held (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 09 Apr 2021

And while I understand the anger that animates Awbrey’s script, anger doesn’t excuse its overall weak argumentation, not to mention its…

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Review of Held (2020)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 09 Apr 2021

And while I understand the anger that animates Awbrey’s script, anger doesn’t excuse its overall weak argumentation, not to mention its…

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Review of Slalom (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 09 Apr 2021

Delivering an unforgettable breakthrough performance, Abita is phenomenal in pitching Lyz on the slippery slope between an adult wannabe and…

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Review of Voyagers (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 09 Apr 2021

Despite the familiar nature of the themes writer/director Neil Burger is exploring, his film still offers plenty of tension and his trademark…

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Review of Thunder Force (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 09 Apr 2021

With such powerhouses as McCarthy and Spencer at the helm, it's a surprise that so much of the film is inert, rote, conventional…

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Review of Mapplethorpe (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 02 Apr 2021

The thing that makes the film stand out is the way it shows artists relating to each other and to their work…

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Review of Funny Face (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 02 Apr 2021

The director's gifted collaborators sometimes perk up this listless parable, but never enough to sell its second-hand fatalism…

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Review of The Man Who Sold His Skin (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 02 Apr 2021

While it hardly breaks new ground, The Man Who Sold His Skin still manages to be a breezy watch, with an assured filmmaker gently steering…

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Review of The Unholy (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 02 Apr 2021

The Unholy is not designed to be deep, but since glimmers of depth are present, the lack of follow-up makes this a disappointing watch…

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