Movie Reviews Published by RogerEbert.com - Page 38 of 279

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Review of Dear Mr. Brody (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 04 Mar 2022

Dear Mr. Brody does a fine job of showing how the financial chasm between rich and poor people is as wide and insurmountable today as it was in 1970…

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Review of The Weekend Away (2022)

By Marya E. Gates (65) for RogerEbert.com (5,563) on 03 Mar 2022

The Weekend Away is the best kind of purposely preposterous potboiler…

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Review of Against the Ice (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 02 Mar 2022

Against the Ice delivers all the delirious period drama thrills and survival horror angst that you could want from a movie with that title…

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Review of The Batman (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Feb 2022

This is the most beautiful Batman movie you’ve ever seen—even if it’s not really a Batman movie at all…

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Review of Tyler Perry's A Madea Homecoming (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 28 Feb 2022

The prior end to this series, “A Madea Family Funeral,” was actually a decent movie. Madea should have quit while she was ahead…

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Review of NO EXIT (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Feb 2022

No Exit is imperfect and struggles to get going, but it's a grisly piece of work that earns your suspension of disbelief…

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Review of No Exit (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 25 Feb 2022

No Exit is imperfect and struggles to get going, but it's a grisly piece of work that earns your suspension of disbelief…

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Review of Big Gold Brick (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Feb 2022

Feature-length failures as abject as this one are almost frightening, in part because one worries about what kind of a snit the director will…

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Review of Cyrano (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Feb 2022

Cyrano gets the big things right, and Dinklage embodies it all…

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Review of Friends and Strangers (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 25 Feb 2022

This ambiguously humorous film with a shaky pace and viewpoint sets forth a tough proposition: will you be patient for its 80+ minutes of running…

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Review of Studio 666 (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Feb 2022

Studio 666 is the kind of broad horror-comedy that could certainly stand to be a little scarier, a little funnier, and more clever overall…

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Review of The Desperate Hour (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 25 Feb 2022

Once in a while, you see a film where it's clear that everyone involved is operating at the peak of of their skills, yet the whole is so misguided…

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Review of Three Months (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Feb 2022

There’s so much going on in Three Months, so many emotional pieces in motion, but very little of it is particularly moving…

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Review of Three Months (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Feb 2022

There’s so much going on in Three Months, so many emotional pieces in motion, but very little of it is particularly moving…

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Review of Hellbender (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Feb 2022

Like “The Deeper You Dig,” Hellbender gets better as it gets more surreal, but this one has a nice balance to the out-there imagery in…

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Review of Downfall: The Case Against Boeing (2022)

By Isaac Feldberg (119) for RogerEbert.com (5,563) on 18 Feb 2022

Downfall so completely erodes trust in a once-revered institution and the others meant to regulate it that Boeing’s recent claims the 737…

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Review of Breaking Bread (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 18 Feb 2022

Whatever Breaking Bread lacks in artistic ambition, it makes up for with its good heart, sincere intentions, and, most importantly, all of…

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Review of Texas Chainsaw Massacre (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 18 Feb 2022

It’s a startling misfire, a movie that fundamentally fails at almost everything it’s trying to do. Leatherface deserves better…

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Review of A Banquet (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 18 Feb 2022

Director Ruth Paxton puts you on edge from the beginning in “A Banquet,” and holds that unsettling mood throughout…

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Review of Ted K (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 18 Feb 2022

Copley’s performance remains riveting throughout…

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