Movie Reviews Published by RogerEbert.com - Page 33 of 279

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Review of Downton Abbey: A New Era (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 20 May 2022

Director Simon Curtis and editor Adam Recht deserve a lot of credit for packing a helluva lot of story into a picture that’s only a hair…

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Review of Torn Hearts (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 20 May 2022

If Torn Hearts had pushed itself a little harder, it could have ascended into camp heaven, and maybe become a cult classic…

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Review of Chip 'n Dale: Rescue Rangers (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 20 May 2022

Take away the cameos—in the recording booth, and animated on-screen—and you get something that's a little too close to the same old junk…

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Review of Deception (2022)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 20 May 2022

To give Deception, the latest attempt to bring Roth to the screen, a little bit of credit, it does come closer than most to rendering his prose…

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Review of Montana Story (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 16 May 2022

There are many rewards to be found here, not the least of which is a skill at staging scenes with beginnings, middles, and ends that are entirely…

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Review of The Last Victim (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 May 2022

The Last Victim plays like a bet between the filmmakers and some sadistic bully who triple-dog-dared them to fit all its disparate plotlines…

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Review of Senior Year (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 13 May 2022

Senior Year takes two high-concept premises—the going-back-to-high-school movie and the waking-up-from-a-coma movie—and slams them together…

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Review of Monstrous (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 13 May 2022

Christina Ricci does most, if not all, of the emotional lifting in the lightweight horror drama Monstrous, a period piece about a single mom…

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Review of Firestarter (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 13 May 2022

A film that goes through the motions with such apathetic predictability and pure cinematic laziness that you may want to set whatever device…

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Review of On the Count of Three (2022)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 13 May 2022

On the Count of Three is a rousing tragicomedy that straddles a line between incredibly calibrated gallows humor and a devastating discourse…

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Review of Top Gun: Maverick (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 12 May 2022

As the jets cut through the atmosphere and brush their target soils in close-shave movements—all coherently edited by Eddie Hamilton—the…

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Review of Our Father (2022)

By Robert Daniels (336) for RogerEbert.com (5,563) on 11 May 2022

While what Cline did and the fight his victims took to find justice is a truth worth knowing and learning, Jourdan’s crass documentary isn’t…

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Review of Operation Mincemeat (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 11 May 2022

The story itself is so absurd and is told with enough surprises and dry humor that it’s constantly engaging…

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Review of Our Father (2022)

By Robert Daniels (336) for RogerEbert.com (5,563) on 11 May 2022

While what Cline did and the fight his victims took to find justice is a truth worth knowing and learning, Jourdan’s crass documentary isn’t…

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Review of The Takedown (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 10 May 2022

The Takedown works overtime to uphold the façade of heroic policing in the most generic way possible, for god knows what greater good…

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Review of Human Factors (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 06 May 2022

Trocker is deft at creating situations that go right up to the edge of blatant symbolism or metaphor, bit resist the urge to pitch themselves…

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Review of Escape the Field (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 06 May 2022

It's ambitious, but with such hand-holding dramatic direction and a dreary visual palette that never creates terror out of random corn stalks,…

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Review of Along for the Ride (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 06 May 2022

There may be nothing new in the message but that does not mean we don't need to hear it…

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Review of The Twin (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 06 May 2022

The Twin just treads water with B-movie style until it gets to the deep ending…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 May 2022

There have been complaints about MCU properties that feel like they exist merely to get people interested in the next movie or TV show, but…

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