Movie Reviews Published by RogerEbert.com - Page 28 of 279

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Review of DC League of Super-Pets (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 29 Jul 2022

A high-concept animated film about animals with superpowers is brought to vibrant, endearing life by the superpowers behind the scenes: lively…

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Review of Blue Island (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 29 Jul 2022

The artful parallels that director Chan Tze Woon draws between contemporary and now middle-aged pro-democratic Hong Kong protesters often seem…

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Review of Medusa (2021)

By Marya E. Gates (65) for RogerEbert.com (5,563) on 29 Jul 2022

Eliciting powerful performances from her two leads and striking visuals from cinematographer João Atala, “Medusa” casts its gaze at the…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Résurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

Read Review

Review of Resurrection (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Jul 2022

Written and directed by Andrew Semans, Resurrection is a diabolically intense psychological thriller, with two riveting central performances…

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Review of We Met in Virtual Reality (2022)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 27 Jul 2022

Though it ignores the many situations that could go wrong in the ever-evolving universe of virtual reality, this fascinating ode to touchless…

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Review of My Old School (2022)

By Isaac Feldberg (119) for RogerEbert.com (5,563) on 22 Jul 2022

My Old School straddles that middle-ground as well, speculating as to the inner workings of a troubled mind but more often settling for the…

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Review of How to Please a Woman (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 22 Jul 2022

There's a little Magic Mike XXL in the mix of How to Please a Woman, with its merry band of eager-to-please strippers, although How to Please…

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Review of Alone Together (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 22 Jul 2022

Luke and the other actors do their best, especially Zosia Mamet as June’s friend and Melissa Leo as Charlie’s mother, but the dialogue…

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Review of Alone Together (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 22 Jul 2022

Luke and the other actors do their best, especially Zosia Mamet as June’s friend and Melissa Leo as Charlie’s mother, but the dialogue…

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Review of Anything's Possible (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 22 Jul 2022

Porter’s delightful debut is perhaps most groundbreaking exactly because of this familiarity, one that grants a black, high-school-aged trans…

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Review of Facing Nolan (2022)

By Brandon Towns (4) for RogerEbert.com (5,563) on 22 Jul 2022

With the screams and roars of the crowd, the energy of the games, and the bullish presence of the legendary Nolan Ryan, director Jackson makes…

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Review of Nope (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 20 Jul 2022

It’s a puzzle with a few pieces missing; standing back from it, you can still see the picture…

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Review of The Gray Man (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 19 Jul 2022

It’s a silly piece of popcorn entertainment that too often forgets that this kind of venture needs to be fun…

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Review of Gone in the Night (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 15 Jul 2022

For better and worse, Gone in the Night feels like the directorial debut of a podcaster, somebody who knows the value of storytelling novelty…

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Review of Mrs. Harris Goes to Paris (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Jul 2022

The world isn’t the happiest place to be these days, so why not cheer a little bit for a wholesome, decent character in a lovely dress…

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Review of Costa Brava, Lebanon (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 15 Jul 2022

The film’s images entangle us with the characters, which makes its indeterminate ending a little more disappointing than it might have been…

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