Movie Reviews Published by RogerEbert.com - Page 22 of 279

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Review of Luckiest Girl Alive (2022)

By Marya E. Gates (65) for RogerEbert.com (5,563) on 07 Oct 2022

The whole thing is mostly made up of tasteless decisions…

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Review of Deadstream (2022)

By Isaac Feldberg (119) for RogerEbert.com (5,563) on 06 Oct 2022

Deadstream ultimately treats Shawn’s efforts to recapture internet celebrity status as the setup to one long barrage of goofy, gross-out…

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Review of Mr. Harrigan's Phone (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 05 Oct 2022

There’s a lot of potential in the ideas that King plays with in “Mr…

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Review of TÁR (2022)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 04 Oct 2022

In the end, TÁR is not a diatribe or parable, but an interrogation, one that seeks to draw the viewers in, and compel them to consider their…

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Review of Till (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 02 Oct 2022

If nothing else, see it for Danielle Deadwyler’s incredible performance. She truly is unforgettable…

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Review of Till (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 02 Oct 2022

If nothing else, see it for Danielle Deadwyler’s incredible performance. She truly is unforgettable…

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Review of Sirens (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Sep 2022

Baghadi and lead editor Grace Zahrah piece together the footage into a collage of yearning, ambition, and what can only be called gumption…

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Review of The Greatest Beer Run Ever (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 30 Sep 2022

It’s not just a bad movie—those are common enough to be dismissible—but a movie that I found grossly condescending and manipulative,…

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Review of Vesper (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 30 Sep 2022

Vesper doesn’t just ask viewers to root for one more hopeless case as she struggles to triumph over adverse living conditions…

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Review of Mona Lisa and the Blood Moon (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 30 Sep 2022

A sleazy and neon-soaked ride that splits the difference between a crafty caper and a guilty pleasure, “Mona Lisa and the Blood Moon” is…

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Review of God's Creatures (2022)

By Odie Henderson (402) for RogerEbert.com (5,563) on 30 Sep 2022

God’s Creatures is yet another movie about a mother realizing too slowly that her son may be a dangerous sociopath…

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Review of Sirens (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Sep 2022

Baghadi and lead editor Grace Zahrah piece together the footage into a collage of yearning, ambition, and what can only be called gumption…

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Review of The Good House (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 30 Sep 2022

So much works so well for so long in “The Good House” that it’s frustrating when the film casts its eye elsewhere and begins paying way…

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Review of I Didn't See You There (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 30 Sep 2022

It's filled with images of ordinary objects and situations that have been filmed in such surprising and revealing ways by Davenport that when…

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Review of Hocus Pocus 2 (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 29 Sep 2022

The challenge for the sequel to a beloved film is maintaining enough of the original to make the fans happy without being too repetitive or…

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Review of The Munsters (2022)

By Scout Tafoya (47) for RogerEbert.com (5,563) on 27 Sep 2022

A completely innocent, at times screamingly funny movie that’s mostly about an idealized world made of '60s cultural icons, a slicing of…

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Review of Smile (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 26 Sep 2022

Sadly, despite a compelling lead and strong craft behind the camera—the color palette, in shades of lavender, pink, teal, and gray, is capably…

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Review of Smile (2021)

By Katie Rife (451) for RogerEbert.com (5,563) on 26 Sep 2022

Sadly, despite a compelling lead and strong craft behind the camera—the color palette, in shades of lavender, pink, teal, and gray, is capably…

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Review of Smile (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 26 Sep 2022

Sadly, despite a compelling lead and strong craft behind the camera—the color palette, in shades of lavender, pink, teal, and gray, is capably…

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Review of The American Dream and Other Fairy Tales (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Sep 2022

This is a compelling story about persistent problems that affect the majority of Americans, even though you don't hear about them very often…

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