Movie Reviews Published by RogerEbert.com - Page 20 of 279

381-400 of 5,563 Reviews

Sort by:

Review of You Resemble Me (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 04 Nov 2022

You Resemble Me is at its strongest when it tries to humanize its misunderstood central figure in simple, intimate ways…

Read Review

Review of Nocebo (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 04 Nov 2022

With Nocebo, Finnegan and his collaborators have put their finger on something dark and disturbing…

Read Review

Review of Calendar Girls (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 04 Nov 2022

The documentary mixes scenes of rehearsals, interviews, and performances with dreamy, impressionistic moments, one loading a car, one in a…

Read Review

Review of Something in the Dirt (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 04 Nov 2022

Something in the Dirt has the gritty DIY-vibe of the no-budget world from which it sprang, and is both thought-provoking and crazy-making,…

Read Review

Review of Causeway (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 04 Nov 2022

Causeway ultimately may be a little too languid, too restrained, but there’s catharsis to be found in its quiet moments and fine-tuned performances…

Read Review

Review of Enola Holmes 2 (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 03 Nov 2022

Enola Holmes (Millie Bobby Brown), the younger sister of Sherlock Holmes (Henry Cavill), returns in this cheeky, breezy sequel that's better…

Read Review

Review of Please Baby Please (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Oct 2022

While it’s drenched in style and features performances from an eclectic cast of actors who are deeply committed to the bit, and its expressions…

Read Review

Review of Run Sweetheart Run (2020)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 28 Oct 2022

It’s ultimately one of those pieces that waffles in tone a bit too much—trying to be a few too many movies at once will do that—and almost…

Read Review

Review of Call Jane (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 28 Oct 2022

Call Jane is about an important subject, but it's also a character study of one woman waking up, not just to her own strength, but to the fact…

Read Review

Review of Holy Spider (2022)

By Godfrey Cheshire (178) for RogerEbert.com (5,563) on 28 Oct 2022

Holy Spider’s rendition of this grisly tale is powerful and precise, commendably lacking the sensationalistic tone of some serial killer movies…

Read Review

Review of Is That Black Enough for You?!? (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 28 Oct 2022

Mitchell makes a very solid case that the Black cinema of the ‘70s was just as formative and influential as the white auteurs who so commonly…

Read Review

Review of The Lair (2022)

By Simon Abrams (730) for RogerEbert.com (5,563) on 28 Oct 2022

The action filmmaking, from interstitial chases to fight choreography, looks good, and so does the monster and its practically-effected victims…

Read Review

Review of Armageddon Time (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 28 Oct 2022

As in another autobiographical memory movie about schoolboys, Louis Malle’s “Au Revoir Les Enfants,” Armageddon Time is the story of…

Read Review

Review of Louis Armstrong's Black & Blues (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Oct 2022

If Black & Blues returns to the same melody a few too many times, it doesn't diminish the overall achievement, which feels free in a way that…

Read Review

Review of Brainwashed: Sex-Camera-Power (2022)

By Marya E. Gates (65) for RogerEbert.com (5,563) on 21 Oct 2022

In order to do this subject—and these women—justice, there is a need for a clear-eyed reckoning…

Read Review

Review of Aftersun (2022)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 21 Oct 2022

Consciousness operates on multiple tracks and Aftersun understands this…

Read Review

Review of All That Breathes (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 21 Oct 2022

All That Breathes blends a verité-style character study with gorgeous nature cinematography while never losing the film’s overall commentary…

Read Review

Review of Black Adam (2022)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 21 Oct 2022

Directed by Jaume Collet-Serra, and featuring a remarkable lead performance by Dwayne Johnson, the spiky and majestic Black Adam is one of…

Read Review

Review of The Return of Tanya Tucker Featuring Brandi Carlile (2022)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 21 Oct 2022

The documentary’s skillful use of archival footage connects us to Tucker’s extraordinary talent as a singer and her vibrance and magnetism…

Read Review

Review of Ticket to Paradise (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 21 Oct 2022

Bless the old school stars Roberts and Clooney for elevating this lackluster mélange and in certain instances, even making you forget about…

Read Review

Page 20 of 279

RogerEbert.com features reviews by:

Top publishers this month:

Popular Movies Right Now

Spider-Man: No Way Home

2021

79%458 Reviews

Love

2015

54%174 Reviews

No Hard Feelings

2023

65%90 Reviews

The Killing of a Sacred Deer

2017

69%660 Reviews

Dawn of the Planet of the Apes

2014

79%1,167 Reviews

Top Gun: Maverick

2022

82%272 Reviews

Babylon

2022

68%144 Reviews

Split

2017

71%1,218 Reviews

Ghostbusters: Afterlife

2021

66%228 Reviews

Hillbilly Elegy

2020

61%141 Reviews