Movie Reviews Published by RogerEbert.com - Page 176 of 279

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Review of Landline (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Too reliant on exaggerated characters and situations, and often looking and feeling like a TV show…

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Review of Thoroughbreds (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

A razor-sharp horror/satire that plays like an update of Heavenly Creatures for the era of the Kardashians…

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Review of The Workers Cup (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

It's the kind of piece that could have cut much of its soccer footage and might have worked better as a short…

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Review of Gold (2016)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Jan 2017

The character is so one-note, always tying everything back to his need to redeem himself and his dad and articulating so many of his concerns…

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Review of Newness (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

It's grating in its alternate simplicity and pretensions, and the big fights between the two leads ring completely false…

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Review of Icarus (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Jan 2017

As I am sure it will when the film stuns viewers beyond those at Sundance, Icarus relies on the element of surprise for one of its most rewarding…

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Review of Crown Heights (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Pushing through all of these negative elements is Stanfield's performance, finding honesty whenever he can…

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Review of XX (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

A wonderful idea that simply does not result in a wonderful film…

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Review of Gold (2017)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 26 Jan 2017

The character is so one-note, always tying everything back to his need to redeem himself and his dad and articulating so many of his concerns…

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Review of Columbus (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

A film with precise lines that captures very imprecise human emotions…

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Review of Band Aid (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Band Aid may be slight, a bit stagey and not too visually striking, but it's also heartfelt, funny, and straight-up enjoyable…

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Review of Oklahoma City (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

A well-researched and well-made chronicle of one of the darkest days in U.S. history…

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Review of Trophy (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

As easy as it would be to argue with this gentleman, Schwarz and Clusiau take the right approach-they chronicle instead of judge…

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Review of Killing Ground (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Even Eli Roth would turn away from what happens to some of the characters in this film, but it's the case of a delayed, unsatisfying payoff…

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Review of Call Me by Your Name (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Unforgettable on every level, the kind of film that has the power to move and inspire…

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Review of The Nile Hilton Incident (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Jan 2017

A political thriller based on a true story, but it needs the real life context to give it some energy (usually, it's the other way around)…

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Review of The Incredible Jessica James (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Genuinely funny, but not in an aggressively bit-driven way…

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Review of Berlin Syndrome (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

Palmer and Shortland keep audiences on the edge of their seat for a bit too long (there's a tighter version within this nearly two-hour one)…

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Review of Ingrid Goes West (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

A depressingly predictable movie, which is a problem when it's about an essentially unhinged woman…

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Review of Manifesto (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 26 Jan 2017

The film's necessary linearity destroys that aspect of the installation, cutting back and forth between the various characters and feeling…

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