Movie Reviews Published by RogerEbert.com - Page 162 of 279

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Review of Icarus (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Aug 2017

It’s a movie that only begins as a commentary on doping in sports and becomes something greater about the dangers of being a whistleblower,…

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Review of 68 Kill (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Aug 2017

This is the kind of piece that needs to move 100MPH from first scene to last for you to overlook its flaws…

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Review of The Dark Tower (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 03 Aug 2017

This isn’t just a mediocre movie — although it is most definitely that — it is a wasted opportunity to fulfill the promise of that opening…

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Review of Columbus (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Aug 2017

Watching the film is almost like feeling the muscles in your eyes shift, as you look up from reading a book to stare out at the ocean…

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Review of Step (2017)

By Susan Wloszczyna (541) for RogerEbert.com (5,563) on 02 Aug 2017

A soul-stirring, foot-stomping and inspirational step beyond most in that its final showdown is only the beginning of a path towards a brighter…

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Review of The Last Face (2017)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 28 Jul 2017

Penn’s own humanitarian work is well-documented, including raising millions of dollars for Haitian relief efforts…

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Review of A Family Man (2016)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 27 Jul 2017

Whenever the movie reaches for poetry it lands somewhere in a chain drugstore's greeting card aisle, trying to choose between one that shows…

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Review of Detroit (2017)

By Angelica Jade Bastién (65) for RogerEbert.com (5,563) on 27 Jul 2017

Detroit was directed, written, produced, shot, and edited by white creatives who do not understand the weight of the images they hone in on…

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Review of Brigsby Bear (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 27 Jul 2017

It shines through just enough to warrant a look but not quite enough to elevate this into the memorable experience it could have been…

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Review of Turn It Around: The Story of East Bay Punk (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 27 Jul 2017

You don’t have to be a Green Day fan to find this movie interesting, but you’ll definitely be more inherently invested in it if you are…

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Review of Menashe (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 27 Jul 2017

Here is a film dedicated to recognizing our most common obstacles, its quiet storytelling largely accompanied by those feelings at the bottom…

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Review of The Emoji Movie (2017)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 27 Jul 2017

A work so completely devoid of wit, style, intelligence or basic entertainment value that it makes that movie based on the Angry Birds app…

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Review of Person to Person (2017)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 27 Jul 2017

Various characters populate Person to Person, but they rarely register as actual people…

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Review of An Inconvenient Sequel: Truth to Power (2017)

By Scout Tafoya (47) for RogerEbert.com (5,563) on 27 Jul 2017

The best An Inconvenient Sequel can offer is the formidable image of Gore, nearly 70, refusing to stand down…

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Review of The Incredible Jessica James (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 27 Jul 2017

In 1966, film critic Pauline Kael reviewed Funny Girl, announcing: Barbra Streisand arrives on the screen, in 'Funny Girl', when the movies…

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Review of Atomic Blonde (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 25 Jul 2017

Without Charlize Theron, the spy adventure Atomic Blonde would only be clever. She makes it insightful…

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Review of Munna Michael (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Jul 2017

Noisy, silly, and sometimes rather fun. I just wish it weren't such a hot mess…

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Review of Landline (2017)

By Susan Wloszczyna (541) for RogerEbert.com (5,563) on 21 Jul 2017

A forlornly funny and emotionally bruising dramedy that rarely misses an opportunity to reveal humans as the flawed and occasionally awful…

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Review of Amnesia (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 21 Jul 2017

It is reported that this movie’s scenario was inspired by the life of Schroeder’s own mother, and the film has a personal tone that is…

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Review of Kuso (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 20 Jul 2017

Kuso may often feel unproductively loud, and monotonous, but it is a head-scratcher worth contending with…

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