Movie Reviews Published by RogerEbert.com - Page 139 of 279

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Review of Outside In (2018)

By Allison Shoemaker (83) for RogerEbert.com (5,563) on 29 Mar 2018

Shelton and Duplass may not stray very far from the path which, at the film’s outset, they seem likeliest to take, and not every moment along…

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Review of Birthmarked (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 29 Mar 2018

Birthmarked ultimately falls short of bringing the emotion home…

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Review of God's Not Dead: A Light in Darkness (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 29 Mar 2018

A lot of grappling happens. The community grapples. The characters grapple. People grapple alone, people grapple together…

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Review of Love After Love (2018)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 29 Mar 2018

This first-time feature from writer/director Russell Harbaugh has an understated, intimate, pointillist style, with a cool jazz score that…

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Review of The China Hustle (2018)

By Tina Hassannia (118) for RogerEbert.com (5,563) on 29 Mar 2018

The China Hustle is not interested in offering a crumb of hope, thereby enabling the frustration it will inevitably arouse in viewers to dissolve…

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Review of Ready Player One (2018)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 27 Mar 2018

Ready Player One is at once familiar in its fabric and forward thinking in its technology, with a combination of gritty live action and glossy…

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Review of Midnight Sun (2018)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 23 Mar 2018

Both actors are gorgeous, of course, which heightens the romantic fantasy of it all, but there's also a naturalism to them that's appealing…

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Review of Isle of Dogs (2018)

By Odie Henderson (402) for RogerEbert.com (5,563) on 23 Mar 2018

Isle of Dogs does not have a compelling story, and even worse, it has the most egregious examples of its director’s privilege since “The…

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Review of Paradox (2018)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 23 Mar 2018

Then again, even they may find that this collection of half-baked scenes, inscrutable imagery and, yes, a couple of splendid musical performances…

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Review of Game Over, Man! (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Mar 2018

It will work best for those lamenting the cancellation of the Comedy Central hit that spawned it, but probably not much for anyone else…

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Review of Final Portrait (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 23 Mar 2018

An apt tribute to both the artist and art itself…

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Review of Sherlock Gnomes (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 23 Mar 2018

With little wit to its name, Sherlock Gnomes becomes far more tedious than playful…

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Review of I Kill Giants (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 23 Mar 2018

That the perspective this time is from a girl’s point of view rather than a boy’s is significant. At least it is in theory…

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Review of Pacific Rim: Uprising (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Mar 2018

The cast is filled with actors doing everything they can to make their characters as memorable as possible even when the script (credited to…

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Review of Benji (2018)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 21 Mar 2018

Even with the inclusion of modern cell phones, this 2018 release feels like it arrived fresh from 1974, and that is what makes it a delight…

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Review of Unsane (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 21 Mar 2018

On the surface, Unsane is a potboiler, a routine stalker thriller…

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Review of Alt-Right: Age of Rage (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 19 Mar 2018

Bhala reckons that our most important weapon, as we strategize how to go high instead of going low, is to know what we're up against…

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Review of At First Light (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 19 Mar 2018

Stone's movie is one of the most frustrating kinds to run into while covering a festival comprised of upcoming filmmakers, the calling card project…

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Review of Prospect (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 18 Mar 2018

While the effort is admirable and there are elements that work, Prospect never clicked for me…

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Review of Sadie (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 18 Mar 2018

Sadie is an inconsistent character, and that makes for an inconsistent movie…

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