Movie Reviews Published by RogerEbert.com - Page 133 of 279

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Review of Spiral (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Jun 2018

The anecdotal, multi-narrative approach is useful in personalizing the phenomenon, but the movie still brought me up short…

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Review of The Catcher Was a Spy (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Jun 2018

Unfortunately, the film never finds a way into Berg's personality that explores his many facets without reducing him to a blank-slate character…

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Review of Boundaries (2018)

By Susan Wloszczyna (541) for RogerEbert.com (5,563) on 22 Jun 2018

Boundaries ends the way most road trips do — by running out of gas. But being in the presence of Plummer these days is always time well spent…

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Review of Spiral (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Jun 2018

The anecdotal, multi-narrative approach is useful in personalizing the phenomenon, but the movie still brought me up short…

Read Review

Review of Boundaries (2018)

By Susan Wloszczyna (541) for RogerEbert.com (5,563) on 21 Jun 2018

Boundaries ends the way most road trips do — by running out of gas. But being in the presence of Plummer these days is always time well spent…

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Review of Jurassic World: Fallen Kingdom (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 18 Jun 2018

This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it…

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Review of Gotti (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 14 Jun 2018

There may one day be a great movie made about John Gotti. This one ain’t it…

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Review of Set It Up (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 14 Jun 2018

It's satisfying, for the most part—a solid romantic comedy with sharp dialogue, amusing characters, a soundtrack of well-worn feel-good hits,…

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Review of Eating Animals (2018)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 14 Jun 2018

Habits are hard to change; sadly, the people who are most likely to seek out a movie like Eating Animals are already on board with its message…

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Review of The Year of Spectacular Men (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 14 Jun 2018

If only the film’s visual vividness had also colored the inner lives of its protagonists; a lively group we sadly forget about before they…

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Review of Tag (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 13 Jun 2018

It’s a lazy, vulgar celebration of White Male American Dumbness—one that only put an African American in the cast to camouflage just how…

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Review of SuperFly (2018)

By Odie Henderson (402) for RogerEbert.com (5,563) on 12 Jun 2018

SuperFly is visually flat, relying too much on oft-repeated motifs of rap videos rather than the ingenuity I expected…

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Review of Incredibles 2 (2018)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 10 Jun 2018

Incredibles 2 understands something that most family sequels, even the Pixar ones, fail to comprehend—we don’t just want to repeat something…

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Review of Alex Strangelove (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 08 Jun 2018

As a modern coming-of-age movie, one that's especially meant to keep the progressive values of teen Netflix on the home page for another week…

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Review of Believer (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 08 Jun 2018

Believer works best as a series of perpetually escalating confrontations…

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Review of Westwood: Punk, Icon, Activist (2018)

By Godfrey Cheshire (178) for RogerEbert.com (5,563) on 07 Jun 2018

While Westwood is certainly a remarkable personal and cultural figure in many senses, it’s too bad she’s not more willing to discuss the…

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Review of Half the Picture (2018)

By Susan Wloszczyna (541) for RogerEbert.com (5,563) on 07 Jun 2018

Documentaries that rely on a steady stream of talking heads—interspersed here with fleeting film clips—usually are not my favorite…

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Review of Hearts Beat Loud (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 07 Jun 2018

Hearts Beat Loud could use more urgency in the telling, more sense of what is at stake for the characters…

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Review of 211 (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 07 Jun 2018

I guess the “Black Hawk Down” comparison derives from the many gaping wounds the characters and the extras suffer…

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Review of Hotel Artemis (2018)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 07 Jun 2018

While originality may not exactly be in great supply here, these familiar elements have been mixed with enough wit and style to make for some…

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