Movie Reviews Published by RogerEbert.com - Page 120 of 279

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Review of They'll Love Me When I'm Dead (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 02 Nov 2018

Genius, this movie believes, is real, whether it’s failed or successful…

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Review of Bodied (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 31 Oct 2018

Part rap musical, part social satire, with elements of Westerns and kung fu pictures, Bodied is one of the funniest, freest movies of the year…

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Review of What They Had (2018)

By Monica Castillo (380) for RogerEbert.com (5,563) on 30 Oct 2018

Chomko’s grandmother was diagnosed with Alzheimer’s disease, and she takes great effort to recreate a sense of that unique kind of pain,…

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Review of Bohemian Rhapsody (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 30 Oct 2018

Bohemian Rhapsody is bad in the way a lot of biopics are bad: it's superficial, it avoids complexity, and the narrative has a connect-the-dots…

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Review of Burning (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 26 Oct 2018

It's a great film, engrossing, suspenseful, and strange…

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Review of Silencio (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Oct 2018

It's one of the year's most convoluted original screenplays, but is probably best taken as a test in plot summarizing…

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Review of Silêncio (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Oct 2018

It's one of the year's most convoluted original screenplays, but is probably best taken as a test in plot summarizing…

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Review of Silencio (2018)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Oct 2018

It's one of the year's most convoluted original screenplays, but is probably best taken as a test in plot summarizing…

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Review of Burning (2018)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Oct 2018

It's a great film, engrossing, suspenseful, and strange…

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Review of London Fields (2018)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 25 Oct 2018

A boring and garish mess that even fans of the book will find nearly impossible to follow, this is easily the most embarrassing film with which…

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Review of 1985 (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 25 Oct 2018

It feels immediate and rings true, thanks to the performances of its lead actors, and the storytelling of director Yen Tan and his co-writer,…

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Review of Shirkers (2018)

By Monica Castillo (380) for RogerEbert.com (5,563) on 25 Oct 2018

In her search for closure to this bizarre chapter in her life, Tan recreates Cardona’s steps to make sense of why he would steal the teens’…

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Review of Border (2018)

By Simon Abrams (730) for RogerEbert.com (5,563) on 25 Oct 2018

Even the most open-minded viewers may have difficulty relating to the two lead protagonists in Border, a cynical Swedish romantic-fantasy that…

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Review of Hunter Killer (2018)

By Monica Castillo (380) for RogerEbert.com (5,563) on 25 Oct 2018

It’s also an odd time to release a movie that embraces collaborating with the Russians and painting bad and good guys with such broad strokes…

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Review of Johnny English Strikes Again (2018)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 25 Oct 2018

The film runs out of ideas so quickly that Atkinson literally resorts to dropping his pants to get a laugh from his saggy bare bottom…

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Review of Dovlatov (2018)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 25 Oct 2018

With its script (co-written by German and Yulia Tupikina) that lacks the traditional structure of a three-part act, Dovlatov managed to evoke…

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Review of Viper Club (2018)

By Odie Henderson (402) for RogerEbert.com (5,563) on 25 Oct 2018

Viper Club is being released by YouTube Original Films, which is appropriate because it looks like it was shot and framed for the tiniest YouTube…

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Review of Monrovia, Indiana (2018)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Oct 2018

Wiseman himself is also the last person who’d call his films “objective,” because they’re not…

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Review of Suspiria (2018)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 24 Oct 2018

Suspiria is as striking and severe as the director’s “Call Me by Your Name,” the best film of 2017, was warm and welcoming…

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Review of A Bread Factory, Part Two: Walk With Me A While (2018)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 24 Oct 2018

The most surprising and challenging thing about Part Two is how it takes one of the central ideas from Part One—art's ability help us understand…

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