Movie Reviews Published by RogerEbert.com - Page 12 of 279

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Review of I Got A Monster (2023)

By Carla Renata (6) for RogerEbert.com (5,563) on 10 Mar 2023

Director Abrams excels artistically while unveiling the sordid details of this doc from every single vantage point with no holds barred…

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Review of Unwelcome (2023)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 10 Mar 2023

Some of Unwelcome is legitimately creepy and upsetting. Some of it is hilarious. Whether or not the hilarity is intended is unclear…

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Review of Scream VI (2023)

By Monica Castillo (380) for RogerEbert.com (5,563) on 09 Mar 2023

As far as Scream sequels go, we’ve seen worse, but the wear and tear of the years are showing on Ghostface’s mask…

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Review of Champions (2023)

By Marya E. Gates (65) for RogerEbert.com (5,563) on 08 Mar 2023

Based on the 2018 Spanish film “Campeones,” Bobby Farrelly’s Champions follows the basic plot of every other inspirational sports movie…

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Review of Unseen (2023)

By Niani Scott (4) for RogerEbert.com (5,563) on 07 Mar 2023

This generic and redundant survival thriller is filled with scary Americanisms like “rednecks” and malfunctioning slushie machines, but…

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Review of Unseen (2023)

By Niani Scott (4) for RogerEbert.com (5,563) on 07 Mar 2023

This generic and redundant survival thriller is filled with scary Americanisms like “rednecks” and malfunctioning slushie machines, but…

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Review of unseen (2023)

By Niani Scott (4) for RogerEbert.com (5,563) on 07 Mar 2023

This generic and redundant survival thriller is filled with scary Americanisms like “rednecks” and malfunctioning slushie machines, but…

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Review of Children of the Corn (2020)

By Simon Abrams (730) for RogerEbert.com (5,563) on 03 Mar 2023

While the first Children of the Corn was made on a reported budget of $800,000, it somehow doesn’t look as cheap as this new Children of…

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Review of A Little White Lie (2023)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 03 Mar 2023

The film's biggest con doesn't come from this imposter protagonist so much as the messy script and direction that squanders an amusing-enough…

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Review of Creed III (2023)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 03 Mar 2023

Jordan has long since proven himself as an actor of terrific charisma, versatility and humanity; with Creed III, he shows he’s just as captivating…

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Review of Palm Trees and Power Lines (2023)

By Katie Rife (451) for RogerEbert.com (5,563) on 03 Mar 2023

These events unfold with a sense of sickening inevitability, and when the scenes we all know are coming finally come, they’re as icky and…

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Review of Operation Fortune: Ruse de Guerre (2023)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Mar 2023

The characters never take shape, not even as caricatures…

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Review of My Happy Ending (2023)

By Katie Rife (451) for RogerEbert.com (5,563) on 24 Feb 2023

Experienced performers take the film partway, but the script kneecaps everyone—especially MacDowell, who suffers the worst of the film’s…

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Review of Bruiser (2022)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Feb 2023

It's a deeply empathetic film that displays an ability to balance the lyrical and the genuine while telling the story of a young man trying…

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Review of Luther: The Fallen Sun (2023)

By Isaac Feldberg (119) for RogerEbert.com (5,563) on 24 Feb 2023

The Fallen Sun is a natural continuation for fans but also presents a way in for series newcomers, even sending the character off in a new…

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Review of Linoleum (2023)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 24 Feb 2023

It's a small movie that takes big swings…

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Review of We Have a Ghost (2023)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Feb 2023

Even as We Have a Ghost sags in places, it never completely fades into the dull background of Netflix originals of late…

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Review of God's Time (2023)

By Monica Castillo (380) for RogerEbert.com (5,563) on 24 Feb 2023

While there isn't enough to love about the film itself, there's enough from Antebi and Caribel’s stunning performance to keep God’s Time…

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Review of Jesus Revolution (2023)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 24 Feb 2023

Jesus Revolution is more of a wistful wish to bring in a wave of new followers than an effort to understand what they'll need once they’re there…

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Review of Cocaine Bear (2023)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 24 Feb 2023

While the suspense that had carried the film for the first two-thirds of its brisk running time dips as it nears its conclusion, Cocaine Bear…

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