Movie Reviews Published by RogerEbert.com - Page 111 of 279

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Review of Working Woman (2019)

By Monica Castillo (380) for RogerEbert.com (5,563) on 27 Mar 2019

The debate around sexual harassment is one many are having around the world, far beyond hashtags and press releases…

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Review of Starfish (2019)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Mar 2019

The work of a filmmaker I'm very excited to see and hear more from, “Starfish” is very much its own sci-fi mixtape—curated with hit and…

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Review of Starfish (2019)

By Nick Allen (397) for RogerEbert.com (5,563) on 26 Mar 2019

The work of a filmmaker I'm very excited to see and hear more from, “Starfish” is very much its own sci-fi mixtape—curated with hit and…

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Review of Roll Red Roll (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Mar 2019

Some of the filmmaking here is a little frustrating, but Roll Red Roll is ultimately an insightful portrait of an entire city shaken and altered…

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Review of Trading Paint (2019)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 22 Mar 2019

It took me a while to realize she actually IS Shania Twain, because I initially thought “What does Shania Twain need this kind of low-rent…

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Review of Sunset (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Mar 2019

Unlike most costume dramas, Sunset — a moving Hungarian character study set in Budapest during 1913 — isn't a movie you can easily get…

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Review of Relaxer (2019)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Mar 2019

Relaxer is a light, but moody comedy about an irredeemable loser who is too unwell to save himself…

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Review of The Dirt (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Mar 2019

You could listen to Dr…

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Review of Hotel Mumbai (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 22 Mar 2019

I must admit: this skilled, historical action film was one of the toughest, most disquieting sits I can remember in a while — tougher than…

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Review of Dragged Across Concrete (2019)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 22 Mar 2019

The result is a film that often feels like Zahler’s most assured to date. Self-indulgent? Oh yeah. A provocation? You bet…

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Review of The Curse of La Llorona (2019)

By Monica Castillo (380) for RogerEbert.com (5,563) on 19 Mar 2019

It’s frustratingly simple, the dialogue over-explains everything and while there are a few solid moments of suspense, there’s too much…

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Review of The Inventor: Out for Blood in Silicon Valley (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 19 Mar 2019

It's a study in deception, and as told by filmmaker Alex Gibney (Enron: The Smartest Guys in the Room), it's a disturbing and sad one…

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Review of Never Grow Old (2019)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 15 Mar 2019

As revisionist as it might aspire to be, Never Grow Old is rife with clichés, Cusack’s philosophical villain one of the most conspicuous…

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Review of Finding Steve McQueen (2019)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 15 Mar 2019

The heist movie has a long pedigree, and while Finding Steve McQueen is no Le Cercle Rouge or Rififi (or even Reservoir Dogs), Johnson keeps…

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Review of Five Feet Apart (2019)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 15 Mar 2019

It is tempting to dismiss this story as “sick-lit” but director Justin Baldoni balances the compelling specifics of CF with the larger…

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Review of The Aftermath (2019)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 15 Mar 2019

The result is a listlessly soapy melodrama, save for a little bit of modern-day nudity and bloodshed, could have been churned out 60-70 years…

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Review of The Hummingbird Project (2019)

By Odie Henderson (402) for RogerEbert.com (5,563) on 15 Mar 2019

This one works overtime, shifting gears repeatedly without once providing enough substance for the viewer to engage…

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Review of Captive State (2019)

By Mark Dujsik (2,093) for RogerEbert.com (5,563) on 15 Mar 2019

Appearances from aliens are sparse in co-writer/director Rupert Wyatt's movie. Thrills of almost any kind, on the other hand, are completely absent…

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Review of The Mustang (2019)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 15 Mar 2019

The Mustang becomes an emotional powerhouse in its final act…

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Review of Wonder Park (2019)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 15 Mar 2019

So much of the needlessly complicated and rules-driven action inside the park plays like wasted motion, visually as well as narratively speaking…

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