Movie Reviews Published by Reuters - Page 3 of 7

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Review of Welcome Back (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

Welcome Back is sporadically funny, one that ebbs and flows; but it just about passes the guilty pleasure test thanks to Kapoor and Patekar…

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Review of Prem Ratan Dhan Payo (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

Prem Ratan Dhan Payo is a spectacle that rings hollow. This is not the Diwali gift you were waiting for…

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Review of Shaandaar (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

Bahl might have set out to make a quirky, and perhaps an absurdist take on romance, but he simply doesn't have the skills to pull it off…

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Review of Brothers (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

It is the mind-numbingly inane commentary that is the most grating part of these scenes…

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Review of Brothers (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

It is the mind-numbingly inane commentary that is the most grating part of these scenes…

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Review of Tamasha (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

Ali is obviously trying to push his boundaries and it doesn't always work, but when it does, the result is breathtaking…

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Review of Brothers (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

It is the mind-numbingly inane commentary that is the most grating part of these scenes…

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Review of Brothers' Day (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

It is the mind-numbingly inane commentary that is the most grating part of these scenes…

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Review of Manjhi: The Mountain Man (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

Even an actor as accomplished as Nawazuddin Siddiqui seems to have given in to the shrill tone of the film, turning in what is perhaps his…

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Review of Brothers (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

It is the mind-numbingly inane commentary that is the most grating part of these scenes…

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Review of Bangistan (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

The film, co-written by Puneet Krishna, Sumit Purohit and Anshuman, is an incoherent mess, oscillating wildly between insipid humour and all-out…

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Review of Angry Indian Goddesses (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

The leading ladies acted beautifully, and the bonhomie between them seems genuine…

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Review of All Is Well (2012)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

All Is Well should never have been made and no one should have to sit through the travesty that it is. Avoid at all costs…

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Review of Katti Batti (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 26 Jun 2017

Katti Batti is a film that tries too hard to be cool and ends up falling on its face…

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Review of Shamitabh (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 25 Jun 2017

Llike a pilot who has no idea where he's going to land his plane, Balki keeps circling round and round, playing out the same conflicts over…

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Review of Dolly Ki Doli (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 25 Jun 2017

Dolly Ki Doli is a breezy watch, one that is salvaged largely because it knows how to deliver smart lines and, most importantly, knows when to end…

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Review of Action Jackson (2014)

By Shilpa Jamkhandikar (137) for Reuters (140) on 25 Jun 2017

It is one of those films that take the romance-action-comedy formula and pushes it so many notches higher that you can't hear yourself think…

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Review of Dil Dhadakne Do (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 25 Jun 2017

The hurried manner in which Akhtar and co-writer Reema Kagti wrap up all loose ends is what makes the film unravel…

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Review of NH10 (2015)

By Shilpa Jamkhandikar (137) for Reuters (140) on 25 Jun 2017

NH10 scares, thrills and entertains throughout its 115 minutes…

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Review of Ungli (2014)

By Shilpa Jamkhandikar (137) for Reuters (140) on 25 Jun 2017

While the premise of vigilante justice might be one of honest intentions, D'Silva sullies the cause by refusing to fill up the giant craters…

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