Movie Reviews Published by ReelViews - Page 8 of 227

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Review of Montana Story (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 24 May 2022

The grandeur of Big Sky Country, captured with majesty and elegance by cinematographer Giles Nuttgens’ lenses, provides the backdrop for…

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Review of Downton Abbey: A New Era (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 May 2022

A New Era offers the kind of comfortable, comforting experience that Downton Abbey aficionados have been awaiting since before the term COVID…

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Review of Firestarter (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 13 May 2022

Few authors have been as badly victimized by Hollywood as King; this is just another title to add to the list…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 04 May 2022

Putting aside any long-term implications, The Multiverse of Madness is a frustrating mix of eclectic elements that at times feel more like…

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Review of Memory (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Apr 2022

Memory plays like a blended cop movie/revenge thriller and exhibits the strengths and weaknesses of both…

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Review of Memory (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Apr 2022

Memory plays like a blended cop movie/revenge thriller and exhibits the strengths and weaknesses of both…

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Review of Memory (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Apr 2022

Memory plays like a blended cop movie/revenge thriller and exhibits the strengths and weaknesses of both…

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Review of The Unbearable Weight of Massive Talent (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 26 Apr 2022

It’s a painless diversion – no more, no less – that gets an injection of energy from the lead actor’s willingness to not take himself…

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Review of The Northman (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 25 Apr 2022

The Northman is gripping cinema of the sort that we get too little of today, when too often a director’s vision is diluted by box office…

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Review of The Bad Guys (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 25 Apr 2022

The movie’s narrative twists are neither surprising nor interesting and the emotional weight of the story and characters is feather-light…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 15 Apr 2022

There’s nothing in this third Fantastic Beasts installment that will grow the audience…

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Review of Ambulance (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 11 Apr 2022

From the sluggish introduction to the chaotic heist scenes (which happen quickly and haphazardly), the first 45 minutes of Ambulance struggle…

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Review of Everything Everywhere All at Once (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 08 Apr 2022

Although it runs too long, it’s nevertheless an enjoyable and satisfying romp through the lives of one woman who makes “being the worst…

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Review of All the Old Knives (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 06 Apr 2022

Keeping in mind the limitations imposed on the production by the running time, All the Old Knives offers a compelling (if ultimately unremarkable)…

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Review of Morbius (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 04 Apr 2022

Morbius is the kind of bland, by-the-numbers origin story that shows comic book movies at their least innovative…

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Review of You Won't Be Alone (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Mar 2022

Despite never previously having made a feature film, Stolevski’s sure-handed approach delivers a winner…

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Review of The Lost City (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 25 Mar 2022

It’s easily digestible and, although some of the less successful elements may try the patience from time-to-time, the companionable chemistry…

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Review of Mothering Sunday (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 23 Mar 2022

Beautifully filmed and emotionally on-target when confined to 1924, Mothering Sunday loses its way once unmoored in time and left adrift on…

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Review of The Outfit (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 15 Mar 2022

In the end, the story becomes a little too convoluted and the resolution is over-the-top but, for the most part, the twists and turns keep…

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Review of The Adam Project (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 10 Mar 2022

The premise is intriguing and the cast is top-notch but, taken as a whole, The Adam Project comes up short…

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ReelViews features reviews by:

James Berardinelli (4,524)
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