Movie Reviews Published by ReelViews - Page 45 of 227

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Review of Happy Death Day (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 13 Oct 2017

By turns frustrating and tedious, this can sink even the most intriguing story…

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Review of The Foreigner (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 13 Oct 2017

In terms of overall visceral impact, The Foreigner is perhaps not as satisfying as a John Wick or the aforementioned Payback because it’s…

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Review of The Meyerowitz Stories (New and Selected) (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 13 Oct 2017

The movie feels like Baumbach is working through some family issues…

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Review of Marshall (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 13 Oct 2017

By limiting the film’s time frame, the narrative is allowed to breathe and, as a result, we get a distinct snapshot not only of the main…

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Review of Blood Money (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 11 Oct 2017

Director Lucky McKee and screenwriters Jared Butler and Lars Norberg take a standard premise and tweak it sufficiently to make it interesting…

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Review of 6 Below: Miracle on the Mountain (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 11 Oct 2017

6 Below is meant to be inspirational and, although it’s not specifically designated as a faith-based movie, it often feels like one…

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Review of Professor Marston and the Wonder Women (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 11 Oct 2017

It’s a fun film that breezes by and, despite any liberties it takes with history, offers a valuable look at Wonder Woman’s real origin…

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Review of Blood Money (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 11 Oct 2017

Director Lucky McKee and screenwriters Jared Butler and Lars Norberg take a standard premise and tweak it sufficiently to make it interesting…

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Review of Indecent Proposal (1993)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Oct 2017

Once the setup is over, however, Indecent Proposal starts to fall apart, with the implausibilities and contrivances getting worse with every…

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Review of The Mountain Between Us (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 06 Oct 2017

The last scene is unforgivably cheesy in a non-self-aware fashion. And don’t get me started on the dog……

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Review of The Florida Project (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 04 Oct 2017

Despite a seemingly straightforward slice-of-life storyline, The Florida Project achieves something rare and magical: presenting existence…

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Review of Star Wars: The Clone Wars (2008)

By James Berardinelli (4,524) for ReelViews (4,523) on 04 Oct 2017

The Clone Wars is the last nail in a coffin that has been propped up ever since George Lucas sold his creative soul in the quest for a few…

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Review of Blade Runner 2049 (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 03 Oct 2017

The pressure on filmmakers to equal or exceed the impact of a beloved original is intense…

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Review of Flatliners (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Sep 2017

What we get is a mediocre remake of a mediocre original – not exactly must-see cinema…

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Review of Mark Felt: The Man Who Brought Down the White House (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Sep 2017

The movie is more about the events that resulted in Felt becoming Deep Throat than his work in that role…

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Review of Battle of the Sexes (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Sep 2017

It’s a surprisingly flat bio-pic of King’s life between 1972-73 with little attempt to make Riggs into anything more than a two-dimensional…

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Review of Victoria & Abdul (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 27 Sep 2017

Frears isn’t just telling a pleasant story about an unusual friendship; he’s asking us to take a look at whether we have advanced as far…

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Review of American Made (2017)

By James Berardinelli (4,524) for ReelViews (4,523) on 27 Sep 2017

The screenplay is quirky enough to resemble an unfinished Coen Brothers narrative but mainstream enough to appeal to a broad audience…

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Review of The Dangerous Lives of Altar Boys (2002)

By James Berardinelli (4,524) for ReelViews (4,523) on 24 Sep 2017

Isn't the best coming-of-age story to hit the big screen, but it skirts new territory, and does so with a flare that earns it a recommendation…

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Review of Baby Geniuses (1999)

By James Berardinelli (4,524) for ReelViews (4,523) on 23 Sep 2017

Formulated on an idiotic idea and develops a predictably lackluster motion picture from it…

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ReelViews features reviews by:

James Berardinelli (4,524)
G. Allen Johnson (514)

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