Movie Reviews Published by ReelViews - Page 4 of 227

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Review of Plane (2023)

By James Berardinelli (4,524) for ReelViews (4,523) on 13 Jan 2023

The movie offers limited entertainment for those who enjoy this sort of fare but it’s impossible to recommend as anything more than a throw-away…

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Review of Seabiscuit (2003)

By James Berardinelli (4,524) for ReelViews (4,523) on 08 Jan 2023

Eventually, Seabiscuit settles into a nice rhythm, and, as it enters the stretch run, it exhibits all the necessary elements of a good sports…

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Review of M3GAN (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 06 Jan 2023

Although very little of what appears on screen could be classified as original (most of the issues have been addressed ad nauseum in science…

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Review of A Man Called Otto (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Jan 2023

Although the level of manipulation is several notches higher than in the Swedish original, A Man Called Otto boasts fine performances from…

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Review of RRR (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Jan 2023

The movie does everything LARGE, whether it’s an action sequence or an emotional connection…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Dec 2022

A by-the-numbers, slightly fictionalized chronicle of the rise and fall of pop singer Whitney Houston (Naomie Ackie), the film struggles to…

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Review of Women Talking (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 21 Dec 2022

Without offering more than dialogue, Women Talking has difficulty sustaining itself for 104 minutes…

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Review of Babylon (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 Dec 2022

Babylon is uneven, to be sure, but any missteps are more than compensated for by the exultation derived from the moments of frenetic exuberance…

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Review of Babylon (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 Dec 2022

Babylon is uneven, to be sure, but any missteps are more than compensated for by the exultation derived from the moments of frenetic exuberance…

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Review of Avatar: The Way of Water (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 14 Dec 2022

There’s an energy here that has been sadly absent from too many recent Hollywood blockbusters…

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Review of Guillermo del Toro's Pinocchio (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 12 Dec 2022

Although the 1940 landmark may work better as pure family fare, this slightly more mature film (which is by no means child-unfriendly) is artistically…

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Review of Empire of Light (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 07 Dec 2022

Empire of Light offers an appetizer of nostalgia for those who remember theaters during the early 1980s but the main course isn’t the easiest…

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Review of The Whale (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 06 Dec 2022

The cynic in me believes this movie may have been constructed primarily for end-of-the-year plaudits because there doesn’t seem to be another…

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Review of Violent Night (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 05 Dec 2022

Violent Night isn’t going to go down as a classic (although it may have cult classic potential) but, despite all the gore and violence and…

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Review of Lady Chatterley's Lover (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Nov 2022

It’s crisply paced and, although there are times when Lady Chatterley’s Lover seems like little more than an intellectually-approved bodice-ripper,…

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Review of Glass Onion: A Knives Out Mystery (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Nov 2022

Glass Onion is a late year present from a director who rarely disappoints…

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Review of Bones and All (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 23 Nov 2022

The problem with Bones and All isn’t that it’s disgusting or shocking or transgressive; it’s that it’s a tedious slog…

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Review of The Fabelmans (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 22 Nov 2022

The Fabelmans isn’t likely to go down as “Great Spielberg” or even “Very Good Spielberg” but it’s a warm, enjoyable plunge into…

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Review of She Said (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 21 Nov 2022

Although not on the same high level as certain other chronicles of investigative journalism – All the Presidents Men (Watergate), Spotlight…

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Review of The Menu (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 16 Nov 2022

A dark satire that skewers privilege and eviscerates the famous, the wealthy, and professional critics (gulp), this film from prolific TV director…

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