Movie Reviews Published by ReelViews - Page 23 of 227

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Review of Jojo Rabbit (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 04 Nov 2019

The problem with Waititi’s approach, not unlike those faced by Roberto Benigni 22 years ago when he made the divisive Life Is Beautiful,…

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Review of Parasite (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Nov 2019

The film surprises with its narrative twists and turns, making the overall trajectory unexpected and the endpoint different from anything one…

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Review of Terminator: Dark Fate (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 01 Nov 2019

The story introduces interesting new wrinkles and the ending, when considered in the context of a trilogy, makes this movie feel less like…

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Review of Harriet (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Oct 2019

By blending facts, myths, and made-up material, Lemons weaves a strong, engaging tale but, at least on some level, there’s a sense of a missed…

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Review of Dolemite Is My Name (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 28 Oct 2019

It’s a strong performance of a character worthy of biopic treatment. Dolemite lives…

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Review of The Lighthouse (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 25 Oct 2019

The Lighthouse is a riveting but decidedly non-mainstream horror film. Even if the ending is imperfect, I’d love to see more movies like this…

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Review of The Lighthouse (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 25 Oct 2019

The Lighthouse is a riveting but decidedly non-mainstream horror film. Even if the ending is imperfect, I’d love to see more movies like this…

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Review of Zombieland: Double Tap (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 18 Oct 2019

If you liked Zombieland, you’ll probably like Zombieland: Double Tap, just not as much…

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Review of Maleficent: Mistress of Evil (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 16 Oct 2019

Although the second installment is effective at moving the story forward rather than re-treading familiar ground, it enters a patch of quicksand…

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Review of Gemini Man (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 10 Oct 2019

Little of the film is new or innovative and, although director Ang Lee can boast some interesting choreography with one of the fight scenes…

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Review of The Laundromat (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Oct 2019

The Laundromat uses a format not unlike that of The Big Short (without Margot Robbie in a bubble bath) to shine the light on the kinds of activities…

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Review of Joker (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Oct 2019

This is a disturbing film, a journey into the heart of a damaged man’s psychosis…

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Review of The Day Shall Come (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2019

The Day Shall Come is an angry film – funny at times but with an acidic underpinning…

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Review of Judy (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2019

Although Judy doesn’t adhere rigorously to the chronology of the main character’s last months, it provides a compelling portrait of the…

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Review of Judy (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2019

Although Judy doesn’t adhere rigorously to the chronology of the main character’s last months, it provides a compelling portrait of the…

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Review of Rambo: Last Blood (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 21 Sep 2019

With its grim tone and sickening content, this gruesome gore-fest might have limited appeal for Death Wish lovers who wished Charles Bronson…

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Review of Ad Astra (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 20 Sep 2019

Of recent films, Christopher Nolan’s Interstellar is the best comparison. Ad Astra isn’t quite as strong but it’s in the same ballpark…

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Review of Downton Abbey (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 17 Sep 2019

Downton Abbey is for those who loved the TV series and were sorry to see it go, and there’s nothing wrong with a little fan service for Masterpiece…

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Review of Hustlers (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 12 Sep 2019

There’s something delicious about the way Hustlers delivers on its promise of glitz, sex, and raunchiness while delving far enough beneath…

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Review of The Goldfinch (2019)

By James Berardinelli (4,524) for ReelViews (4,523) on 11 Sep 2019

Although Peter Straughan’s stripped-down regurgitation of the story is faithful to Tartt’s narrative in the broadest sense of the word,…

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ReelViews features reviews by:

James Berardinelli (4,524)
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