Movie Reviews Published by Polygon - Page 7 of 34

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Review of Secret Headquarters (2022)

By Petrana Radulovic (45) for Polygon (677) on 18 Aug 2022

When Secret Headquarters indulges the fun of kids with superpowered gadgets, it shines…

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Review of Day Shift (2022)

By Matthew Essary (1) for Polygon (677) on 18 Aug 2022

Day Shift’s peculiar blend of action, comedy, and horror doesn’t feel like a choice made with the intention of bringing in the widest possible…

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Review of Emily the Criminal (2022)

By Katie Rife (451) for Polygon (677) on 18 Aug 2022

As a crime thriller, Emily the Criminal is well-written and absorbingly paced, but it’s Plaza’s fearless work that makes it memorable…

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Review of Bodies Bodies Bodies (2022)

By Jesse Hassenger (800) for Polygon (677) on 03 Aug 2022

Reijn and DeLappe don’t seem interested in preying on real fears so much as laughingly confirming any suspicions that yes, your friends secretly…

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Review of Bullet Train (2022)

By Joshua Rivera (91) for Polygon (677) on 02 Aug 2022

Cartoonish as it is, Bullet Train is committed to letting its core cast make as big an impression as they can through quirks and fights, as…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Résurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

Read Review

Review of Resurrection (2022)

By Katie Rife (451) for Polygon (677) on 02 Aug 2022

Whether or not it’s to anyone’s particular taste, the fact remains that this is an audacious film that asks viewers to take its hand and…

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Review of DC League of Super-Pets (2022)

By Samantha Nelson (14) for Polygon (677) on 27 Jul 2022

DC League of Super-Pets isn’t groundbreaking, but it’s a perfect way for DC Comics fans to introduce their kids to their favorite characters…

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Review of We Met in Virtual Reality (2022)

By Tasha Robinson (753) for Polygon (677) on 27 Jul 2022

This is a movie meant to introduce viewers to the real emotions people bring to their escapist fantasy worlds…

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Review of Nope (2022)

By Robert Daniels (336) for Polygon (677) on 20 Jul 2022

Nope is an idea more than a story. It’s a collection of individually captivating scenes, as opposed to an intriguing whole…

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Review of The Gray Man (2022)

By Joshua Rivera (91) for Polygon (677) on 15 Jul 2022

Realism isn’t necessarily the problem here; dissonance is…

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Review of Persuasion (2022)

By Petrana Radulovic (45) for Polygon (677) on 15 Jul 2022

Janky anachronisms and grating narration aside, the film is aggressively OK, though the dynamic side characters do most of the heavy lifting…

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Review of The Sea Beast (2022)

By Jesse Hassenger (800) for Polygon (677) on 14 Jul 2022

Like The Prince of Egypt or Sinbad: Legend of the Seven Seas before it, The Sea Beast ditches talking animals and funny sidekicks, but it can’t…

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Review of Dragon Ball Super: Super Hero (2022)

By Cezary Jan Strusiewicz (5) for Polygon (677) on 06 Jul 2022

Appropriately for a movie with two uses of “super” in its title, everything in this DB film looks and feels supersized…

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Review of Thor: Love and Thunder (2022)

By Joshua Rivera (91) for Polygon (677) on 05 Jul 2022

Thor: Love and Thunder isn’t just a misfire, it’s a scam. Its characters only move forward in the most artificial ways…

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Review of Rubikon (2022)

By Oli Welsh (16) for Polygon (677) on 01 Jul 2022

Rubikon’s plot crash-lands while its sincere intentions are left spinning fruitlessly in space, looking for a way back down…

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Review of Minions: The Rise of Gru (2022)

By Josh Spiegel (148) for Polygon (677) on 30 Jun 2022

This is neither a uniquely marvelous film nor a teeth-gnashing pain. It’s OK in the moment, and it evaporates as soon as the end credits roll…

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