Movie Reviews Published by Polygon - Page 5 of 34

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Review of The Banshees of Inisherin (2022)

By Siddhant Adlakha (174) for Polygon (677) on 21 Oct 2022

The movie is such a rich, emotionally detailed text that not sticking the landing is only a minor mark against it…

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Review of The School for Good and Evil (2022)

By Petrana Radulovic (45) for Polygon (677) on 19 Oct 2022

Designed to fit, then subvert and smash, archetypes, the two leads of The School for Good and Evil and their strong friendship turn the movie…

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Review of My Father's Dragon (2022)

By Oli Welsh (16) for Polygon (677) on 17 Oct 2022

Director Nora Twomey (The Breadwinner, The Secret of Kells) and screenwriter Meg LeFauve (Pixar’s Inside Out) have rebuilt the Gannetts’…

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Review of Decision to Leave (2022)

By Tasha Robinson (753) for Polygon (677) on 17 Oct 2022

While the procedural story takes up a fair bit of screen time, the emotional story is the center of the film, and the one that’s likely to…

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Review of Halloween Ends (2022)

By Rafael Motamayor (108) for Polygon (677) on 17 Oct 2022

This was an ambitious trilogy that tried to take the Halloween franchise to new places, but it ultimately falls short, introducing so many…

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Review of Hellraiser (2022)

By Katie Rife (451) for Polygon (677) on 10 Oct 2022

It has some great, grotesque visuals, which makes it a real shame that this film isn’t getting a theatrical release…

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Review of Bros (2022)

By Kyle Wilson (16) for Polygon (677) on 29 Sep 2022

For all its virtues, Bros is a bit of a frustrating watch, a lovely Nora Ephron-esque charmer buried somewhere underneath the self-imposed…

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Review of The Menu (2022)

By Tasha Robinson (753) for Polygon (677) on 29 Sep 2022

There’s some knuckle-biting tension as viewers wait to see how it’ll all play out, but Mylod and the writers also suggest that it’s worth…

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Review of Smile (2022)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

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Review of Catherine Called Birdy (2022)

By Petrana Radulovic (45) for Polygon (677) on 26 Sep 2022

Catherine Called Birdy is the rare book-to-film adaptation that makes some huge changes for the better…

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Review of Athena (2022)

By Siddhant Adlakha (174) for Polygon (677) on 26 Sep 2022

Athena is arguably a style-over-substance movie, given how little time and attention it devotes to the personal drama underlying its politics…

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Review of Vesper (2022)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

Dystopian sci-fi has rarely been as delicately and beautifully detailed as Kristina Buozyte and Bruno Samper’s new film…

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Review of Smile (2022)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

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Review of Don't Worry Darling (2022)

By Oli Welsh (16) for Polygon (677) on 26 Sep 2022

Pugh’s performance is enough of a recommendation to see this shiny, smoothly finished movie-that-feels-like-a-movie…

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Review of Smile (2023)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

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Review of SMILE (2022)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

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Review of Smile (2022)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

Read Review

Review of Smile (2022)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

Read Review

Review of Smile (2021)

By Tasha Robinson (753) for Polygon (677) on 26 Sep 2022

No matter how excessively the legitimate scares pile up, they’re startling and convincing…

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Review of Drifting Home (2022)

By Kambole Campbell (73) for Polygon (677) on 16 Sep 2022

The film is admirable for its patient commitment to unpacking the children’s feelings about each other, the building, and other relics from…

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