Movie Reviews Published by Polygon - Page 13 of 34

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Review of Last Night in Soho (2021)

By Jack King (15) for Polygon (677) on 29 Oct 2021

This is certainly Edgar Wright at his Edgar Wright-iest, but even as he’s arguing against celebrating the past in Last Night in Soho, he’s…

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Review of Army of Thieves (2021)

By Robert Daniels (336) for Polygon (677) on 29 Oct 2021

Schweighöfer’s prequel fails to offer the same level of excitement or gore as Snyder’s film…

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Review of Eternals (2021)

By Joshua Rivera (91) for Polygon (677) on 24 Oct 2021

After over a decade of the MCU formula’s dominance, it’s easy to mistake Eternals’ deviance for profundity…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Robert Daniels (336) for Polygon (677) on 22 Oct 2021

The French Dispatch is probably the worst film of the director’s career. But even his worst effort is worth biting the bullet for…

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Review of Warning (2021)

By Roxana Hadadi (336) for Polygon (677) on 22 Oct 2021

The result is admirable for how grim it is in its multifaceted way, but as a whole, Warning is too disjointed and underdeveloped to really…

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Review of Ron's Gone Wrong (2021)

By Petrana Radulovic (45) for Polygon (677) on 22 Oct 2021

Ron’s Gone Wrong could be a movie about the perils of social media, but it works better as a movie about recognizing that friendship requires…

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Review of Warning (2021)

By Roxana Hadadi (336) for Polygon (677) on 22 Oct 2021

The result is admirable for how grim it is in its multifaceted way, but as a whole, Warning is too disjointed and underdeveloped to really…

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Review of Night Teeth (2021)

By Roxana Hadadi (336) for Polygon (677) on 20 Oct 2021

Night Teeth isn’t genuinely original, substantive, or scary…

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Review of Needle in a Timestack (2021)

By Roxana Hadadi (336) for Polygon (677) on 14 Oct 2021

Needle in a Timestack lacks the interior worldbuilding necessary to pull off its heartstring-tugging intentions, and the result is a movie…

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Review of No Time to Die (2021)

By Beatrice Loayza (94) for Polygon (677) on 08 Oct 2021

It would be easier to be less cynical if No Time to Die convincingly delivered on its commitments to Bond’s humanity, rather than nudging…

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Review of There's Someone Inside Your House (2021)

By Roxana Hadadi (336) for Polygon (677) on 06 Oct 2021

There’s Someone Inside Your House is intermittently effective, but ultimately unremarkable, and it feels like a product of its time in disappointing…

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Review of The Guilty (2021)

By Jesse Hassenger (800) for Polygon (677) on 01 Oct 2021

Gyllenhaal is the whole show, and his irritable, driven, struggling character doesn’t exactly glorify his line of work…

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Review of The Many Saints of Newark (2021)

By Noel Murray (1,901) for Polygon (677) on 01 Oct 2021

It’s a polished, entertaining film, but a lot of its meaning derives from how much the audience cares about a handful of TV characters they…

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Review of Mayday (2021)

By Roxana Hadadi (336) for Polygon (677) on 30 Sep 2021

Goth is a scene-stealer, and some of Levy’s visuals are memorable in their otherworldly quality…

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Review of Venom: Let There Be Carnage (2021)

By Oliver Sava (3) for Polygon (677) on 30 Sep 2021

Though it suffers from some of the first movie’s problems — mainly a shallow villain and underwhelming action — Hardy’s ownership of…

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Review of MAYDAY (2021)

By Roxana Hadadi (336) for Polygon (677) on 30 Sep 2021

Goth is a scene-stealer, and some of Levy’s visuals are memorable in their otherworldly quality…

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Review of No One Gets Out Alive (2021)

By Robert Daniels (336) for Polygon (677) on 30 Sep 2021

One Gets Out Alive is a desperate attempt to explore the immigration crisis through a horror lens, à la Remi Weekes’ stunning film His House…

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Review of Dear Evan Hansen (2021)

By Charles Bramesco (223) for Polygon (677) on 24 Sep 2021

On film, this story’s foundation of cynical button-pushing is laid bare…

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Review of I'm Your Man (2021)

By Roxana Hadadi (336) for Polygon (677) on 24 Sep 2021

I’m Your Man offers a perspective on humanity that’s equally whimsical and melancholy, and its intimacy is a welcome change of pace in…

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Review of Memoria (2021)

By Robert Daniels (336) for Polygon (677) on 17 Sep 2021

Weerasethakul’s Memoria doesn’t give too many answers. It moves at an interminable pace…

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