Movie Reviews Published by Polygon - Page 11 of 34

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Review of Death on the Nile (2022)

By Joshua Rivera (91) for Polygon (677) on 11 Feb 2022

There is some allure to Death on the Nile’s old-fashioned appeal, with its wide shots, its warm hues, and its utter confidence that its mystery…

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Review of Jackass Forever (2022)

By Soham Gadre (6) for Polygon (677) on 04 Feb 2022

If the Jackass crew, headed up as always by director Jeff Tremaine and star Johnny Knoxville, have dedicated themselves to anything, it’s…

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Review of Moonfall (2022)

By Joshua Rivera (91) for Polygon (677) on 03 Feb 2022

This film could have literally given us the Moon. Instead, it offers the world’s noisiest lullaby…

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Review of You Won't Be Alone (2022)

By Joshua Rivera (91) for Polygon (677) on 03 Feb 2022

It’s very difficult to walk away from You Won’t Be Alone without wanting to fill a notebook with its words and recollections of its images…

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Review of Neptune Frost (2022)

By Toussaint Egan (19) for Polygon (677) on 28 Jan 2022

At times befuddling, though adamantly mesmerizing, Neptune Frost fuses searing anti-establishment lyricism with ethereal electronica to create…

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Review of GameStop: Rise of the Players (2022)

By Owen S. Good (1) for Polygon (677) on 28 Jan 2022

Any insta-doc could have found folks who profited from the short squeeze, and shown the material goods or comfortable lifestyle their profiteering…

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Review of After Yang (2022)

By Tasha Robinson (753) for Polygon (677) on 27 Jan 2022

After Yang is intensely internal and personal, as grief so often is, which guarantees it won’t connect with a wide audience…

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Review of Hatching (2022)

By Tasha Robinson (753) for Polygon (677) on 27 Jan 2022

Timid viewers who are normally averse to horror aren’t going to find much comfort or safety in this movie…

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Review of The Tiger Rising (2022)

By Petrana Radulovic (45) for Polygon (677) on 21 Jan 2022

Giarratana doesn’t seem to trust that the story of two kids and their emotions is enough of a draw onscreen, so they fluff up the movie to…

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Review of The King's Daughter (2022)

By Jesse Hassenger (800) for Polygon (677) on 21 Jan 2022

It offers the bittersweet spectacle of a pretty loony movie trying its best to become a more conventional one…

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Review of The Colony (2021)

By Roxana Hadadi (336) for Polygon (677) on 14 Jan 2022

These characters move in a world that is stunningly visualized but superficially conceived, and The Colony embodies a genre that seems —…

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Review of See for Me (2022)

By Tasha Robinson (753) for Polygon (677) on 07 Jan 2022

See For Me updates the home-invasion formula with a couple of clever twists and a key relationship…

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Review of Nightmare Alley (2021)

By Joshua Rivera (91) for Polygon (677) on 06 Jan 2022

Nightmare Alley is straight noir, a stylish and dark work about lies and liars…

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Review of Jujutsu Kaisen 0 (2021)

By Cezary Jan Strusiewicz (5) for Polygon (677) on 06 Jan 2022

So whether you’ve been following Jujutsu Kaisen for years or are just hearing about it for the first time now, check out Jujutsu Kaisen 0…

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Review of The 355 (2022)

By Robert Daniels (336) for Polygon (677) on 06 Jan 2022

Though The 355 tries to maneuver with the kinetic verve of a globetrotting adventure, the marks of shooting on generic sets are all over this film…

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Review of Hilda and the Mountain King (2021)

By Nicole Clark (6) for Polygon (677) on 06 Jan 2022

The film is an excellent feature-length Hilda episode, but the 84-minute runtime also allows it to raise the stakes of the low-key series appropriately,…

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Review of The Lost Daughter (2021)

By Robert Daniels (336) for Polygon (677) on 06 Jan 2022

It’s difficult to believe The Lost Daughter is Gyllenhaal’s feature directorial debut…

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Review of Don't Look Up (2021)

By Joshua Rivera (91) for Polygon (677) on 05 Jan 2022

Humor is subjective, but giving an example of Don’t Look Up’s specific jokes feels like a spoiler, depriving you of one of the three times…

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Review of The King's Man (2021)

By Jesse Hassenger (800) for Polygon (677) on 05 Jan 2022

The story is never fully passed along to the younger character; this really is Fiennes’ movie all the way, and probably more interesting for it…

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Review of The Matrix Resurrections (2021)

By Joshua Rivera (91) for Polygon (677) on 22 Dec 2021

It’s an agitprop romance, one of the most effective mass media diagnoses of the current moment that finds countless things to be angry about,…

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