Movie Reviews Published by Paste Magazine - Page 53 of 146

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Review of Greta (2019)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 28 Feb 2019

There’s a natural tendency to want to like Greta so that you don’t feel like a killjoy or a snob…

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Review of Alita: Battle Angel (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 21 Feb 2019

For fans of futuristic sci-fi/action, it should provide an initially engaging but ultimately forgettable experience…

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Review of Happy Death Day 2U (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 21 Feb 2019

Happy Death Day 2U makes deliberate moves away from horror, adding both science fiction and comedy to muddle the original mixture for better…

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Review of Under the Eiffel Tower (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 13 Feb 2019

Under the Eiffel Tower is a functionally enjoyable film bookended by an opening and a conclusion both dogged by distrust in the audience’s…

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Review of The Man Who Killed Hitler and Then the Bigfoot (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 13 Feb 2019

The Man Who Killed Hitler and Then the Bigfoot is an exquisitely boring movie, a promise of high-concept adventure that only delivers a stiflingly…

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Review of The Lego Movie 2: The Second Part (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 07 Feb 2019

Everything is not awesome, but everything isn’t so bad either. How could it be when everything is everything…

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Review of Serenity (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 31 Jan 2019

I can imagine and understand it receiving all kinds of passionate feedback, from intensely negative to downright infuriated, but I doubt anyone…

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Review of Miss Bala (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 31 Jan 2019

Gina Rodriguez, who proved in Annihilation that she’s capable of something so much more addled and kinetic than this, does what she can with…

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Review of Capernaum (2018)

By Andrew Crump (271) for Paste Magazine (2,906) on 31 Jan 2019

Labaki’s filmmaking suggests uncertainty at best and lack of confidence at worst. She layers on the suffering too thick…

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Review of Capernaum (2018)

By Andy Crump (279) for Paste Magazine (2,906) on 29 Jan 2019

[Nadine] Labaki's filmmaking suggests uncertainty at best and lack of confidence at worst…

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Review of The Kid Who Would Be King (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 23 Jan 2019

The Kid Who Would Be Kid hits the family classic trifecta: Spectacular fun for kids and adults, full of important themes, and a rebellious…

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Review of Mikey and Nicky (1976)

By Andy Crump (279) for Paste Magazine (2,906) on 23 Jan 2019

Strip Mikey and Nicky of its genre particulars, its gangster trappings, and what remains is a recognizable story of two friends at loggerheads…

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Review of The Standoff at Sparrow Creek (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 23 Jan 2019

Dunham’s filmmaking remains disciplined throughout, building pressure within that’s eventually released in explosive violence…

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Review of Touch Me Not (2018)

By Andy Crump (279) for Paste Magazine (2,906) on 23 Jan 2019

Touch Me Not's title sounds forbidding, unwelcoming, and yet the film's patchwork of human experience is ultimately uplifting…

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Review of Glass (2019)

By Will Leitch (411) for Paste Magazine (2,906) on 18 Jan 2019

This is Shyamalan at his worst, a speechifying, moralizing scold who wants your adoration but doesn’t want to put in the effort, or himself…

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Review of The Upside (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 17 Jan 2019

It’s endearing to see Burger change his typically harsh tone to create a story awash with such positivity…

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Review of Clara's Ghost (2018)

By Andy Crump (279) for Paste Magazine (2,906) on 04 Jan 2019

It's often said that going into business with family is a terrible, horrible, no good, very bad idea, but Clara's Ghost provides an exception…

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Review of If Beale Street Could Talk (2018)

By Dom Sinacola (87) for Paste Magazine (2,906) on 04 Jan 2019

The heartbreaking bravery of Barry Jenkins’ third brilliant film is that he rests upon a clean, aching ambiguity: Such hope is both enough,…

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Review of The Girl in the Spider's Web (2018)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 04 Jan 2019

There aren't any surprises here as far as the narrative is concerned, but Alvarez, aided by a solid performance by Foy, again elevates what…

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Review of Holmes & Watson (2018)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 04 Jan 2019

Considering Ferrell and Reilly’s immense talents, Holmes & Watson is an even more unsettlingly unfunny experience…

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