Movie Reviews Published by Paste Magazine - Page 49 of 146

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Review of Terminator: Dark Fate (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 12 Nov 2019

It doesn’t necessarily matter—nothing matters, really—but Dark Fate is so self-serious, so expositionally overwhelming, that its tendency…

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Review of Motherless Brooklyn (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 12 Nov 2019

Motherless Brooklyn is far from an airtight masterwork like Confidential—it’s too bloated at almost two and a half hours and contains some…

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Review of Black and Blue (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 31 Oct 2019

It’s a pulse-pounding, tightly wound thriller that sticks its predictable but nevertheless effective ending in order to provide a satisfying…

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Review of Greener Grass (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 24 Oct 2019

It’s the most awkward family TV show you’ve ever seen, offset by a never-ending barrage of gags squeezed off with such a consistent rate…

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Review of Parasite (2019)

By Kyle Turner (65) for Paste Magazine (2,906) on 17 Oct 2019

Even through its absurdist, bleakly satirical lens, Bong understands that social inequity is not just theatre, but lived experience…

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Review of Zombieland: Double Tap (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 17 Oct 2019

The sequel feels compromised, lumped with easy lessons about family and community, piecemeal and cobbled together from bigger ideas and the…

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Review of Sound of Metal (2020)

By Joi Childs (30) for Paste Magazine (2,906) on 10 Oct 2019

An experiment of sound design paired with a stellar lead performance makes for a captivating film…

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Review of Jojo Rabbit (2019)

By Joelle Monique (35) for Paste Magazine (2,906) on 10 Oct 2019

Waititi infuses a level of humanity into WWII without blindly forgiving those responsible, nor hiding behind the guise of good guys in bad…

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Review of Memory: The Origins of Alien (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 10 Oct 2019

Alien takes the long way around the barn to get from its creator’s fundamental psychic “stuff” to the genre classic it is today; Memory…

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Review of Dolemite Is My Name (2019)

By Joi Childs (30) for Paste Magazine (2,906) on 10 Oct 2019

Murphy plays it all so sincerely we root for Moore…

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Review of Gemini Man (2019)

By Tim Grierson (1,482) for Paste Magazine (2,906) on 08 Oct 2019

Unfortunately, Gemini Man is saddled with a fatally weak story, almost as if Lee chose a predictable action-thriller narrative so that he could…

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Review of Judy (2019)

By Joelle Monique (35) for Paste Magazine (2,906) on 08 Oct 2019

Fueled by Zellweger, Judy has the power to take you over the rainbow with Garland, past the bright lights, through the cold nights, and into…

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Review of Abominable (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 08 Oct 2019

Abominable may not offer much when it comes to a unique premise, especially after two other features have beaten it to the punch, but it’s…

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Review of Bliss (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 08 Oct 2019

Comprising hardcore and doom metal, à la Isis, Electric Wizard, and Doomriders, Bliss is more metal than most of the metal records released…

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Review of Judy (2019)

By Joelle Monique (35) for Paste Magazine (2,906) on 08 Oct 2019

Fueled by Zellweger, Judy has the power to take you over the rainbow with Garland, past the bright lights, through the cold nights, and into…

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Review of The Death of Dick Long (2019)

By Andrew Crump (271) for Paste Magazine (2,906) on 08 Oct 2019

The Death of Dick Long’s central miracle is that, disgusting as its big reveal is, Scheinert’s direction is fundamentally compassionate…

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Review of Joker (2019)

By Dom Sinacola (87) for Paste Magazine (2,906) on 02 Oct 2019

Do not let anyone tell you that Joker captures our specific time, represents our specific society, both births and defines our specific zeitgeist,…

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Review of The Lighthouse (2019)

By Joelle Monique (35) for Paste Magazine (2,906) on 26 Sep 2019

In many ways Eggers’ latest reminds us of Last Tango in Paris, which explored a similar unhealthy relationship dynamic…

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Review of The Lighthouse (2019)

By Joelle Monique (35) for Paste Magazine (2,906) on 26 Sep 2019

In many ways Eggers’ latest reminds us of Last Tango in Paris, which explored a similar unhealthy relationship dynamic…

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Review of The Sound of Silence (2019)

By Oktay Ege Kozak (122) for Paste Magazine (2,906) on 26 Sep 2019

While not quite a complete experience that sticks the landing, The Sound of Silence is nevertheless an impressive debut from a fresh new filmmaker…

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