Movie Reviews Published by Paste Magazine - Page 29 of 146

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Review of Munich - The Edge of War (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 20 Jan 2022

It’s not a stretch to expect that a film about the infamous Munich Conference to be a ripe bundle of nerves and apprehension…

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Review of Shattered (2022)

By Lex Briscuso (44) for Paste Magazine (2,906) on 18 Jan 2022

David Loughery’s writing isn’t necessarily bad, it just isn’t interesting, and when you’re doing this type of done-to-death B-movie,…

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Review of Shattered (2022)

By Lex Briscuso (44) for Paste Magazine (2,906) on 18 Jan 2022

David Loughery’s writing isn’t necessarily bad, it just isn’t interesting, and when you’re doing this type of done-to-death B-movie,…

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Review of Ray Donovan: The Movie (2022)

By Allison Keene (3) for Paste Magazine (2,906) on 13 Jan 2022

There are some nice references and callbacks, but where the movie truly succeeds is in getting to the emotional core of the series that—like…

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Review of Italian Studies (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 12 Jan 2022

It’s an odd sort of travelogue Leon and Kirby curate here, but Italian Studies’ drifting, artsy peculiarities make 70 minutes fly by with…

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Review of Sex Appeal (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 11 Jan 2022

Instead of ever actually showing sex, Osteen skirts around the issue by offering up campy, G-rated, fantastical sex-metaphors…

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Review of The Tender Bar (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 07 Jan 2022

As mired as it is in identity confusion, cheeseball sentimentality and jaundiced camera filters, The Tender Bar could’ve been something if…

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Review of See for Me (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 06 Jan 2022

See for Me positions itself as an unfair tale of “easy target versus evil men,” but highlights its strongest material when valuing people…

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Review of The 355 (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 06 Jan 2022

If playwright Theresa Rebeck, who receives co-writing and story credit, brought a fresher perspective to this material at some point, it has…

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Review of Cyrano (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 03 Jan 2022

Everyone does a good job and the movie still doesn’t really linger…

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Review of The King's Man (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 23 Dec 2021

The King’s Man is an off-putting installment in a series that should have already ended…

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Review of American Underdog (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 23 Dec 2021

To the Erwins’ credit, they make an effort at taking their movie somewhere interesting and, at least for a Jesus-y football picture, new…

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Review of The Matrix Resurrections (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 21 Dec 2021

It doesn’t always work, and it’s a little messy in its attempt, but the ambition to manipulate a cash-grab into something evolutionary—something…

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Review of The Scary of Sixty-First (2021)

By Lex Briscuso (44) for Paste Magazine (2,906) on 20 Dec 2021

It never apologizes for what it is or what it wants to try and do, and that—along with the twists and turns of how the plot unfolds, as wild…

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Review of Rumble (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 16 Dec 2021

It is not fair to assume that every film is going to stray from the beaten path; many are much better off if they don’t…

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Review of Nightmare Alley (2021)

By Dom Sinacola (87) for Paste Magazine (2,906) on 16 Dec 2021

The context, however much of it there is, affects little, and the whole film begins to resemble a fetish object more than an adaptation. In a bad way…

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Review of Spider-Man: No Way Home (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 15 Dec 2021

After so long playing with the legacy and impact of Spider-Man, No Way Home finds its way back…

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Review of The Lost Daughter (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 15 Dec 2021

Gyllenhaal’s extraordinary direction, paired with exceptional performances from The Lost Daughter’s lead actresses, culminate in a perfect…

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Review of A Castle for Christmas (2021)

By Aurora Amidon (74) for Paste Magazine (2,906) on 14 Dec 2021

In its unapologetic leaning into tropes, stellar casting, idyllic locations and occasional venturing off of the beaten path, A Castle for Christmas…

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Review of Don't Look Up (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 14 Dec 2021

As is, Don’t Look Up is an exhausting and meandering “What if? But also, what now…

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