Movie Reviews Published by Paste Magazine - Page 24 of 146

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Review of Return to Space (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 18 Apr 2022

While space travel has always required idols, Return to Space would benefit from a more nuanced portrayal of the controversial figure accused…

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Review of Paris, 13th District (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 15 Apr 2022

The luminescent cityscape of Paris is captured through an honest, loving gaze in Paris, 13th District, a melancholy yet tender-hearted exploration…

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Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 14 Apr 2022

As Rowling continues submerging her magical world into the same hellish and disreputable bog as her personal legacy, I wish she’d kept The…

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Review of The Cellar (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 13 Apr 2022

Aside from the one chilling scene grafted straight from The Ten Steps and its gorgeous, historic filming location, The Cellar just isn’t that deep…

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Review of Wyrmwood: Apocalypse (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 11 Apr 2022

While Wyrmwood: Apocalypse might be described as a brains-off zombie flick that’s best when at its most insane, it’s certainly not braindead…

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Review of Metal Lords (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 08 Apr 2022

While the film’s premise is appealing enough in its coming-of-age charm, the central characters themselves are intensely grating…

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Review of Ambulance (2022)

By Dom Sinacola (87) for Paste Magazine (2,906) on 08 Apr 2022

Though an ensemble of Angelenos fills out the film as it barrels to pretty much the only conclusion it could have, Ambulance is about as tidy…

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Review of Tony Hawk: Until the Wheels Fall Off (2022)

By Lex Briscuso (44) for Paste Magazine (2,906) on 06 Apr 2022

Tony Hawk: Until the Wheels Fall Off is a reckoning of passion told by those who best understand the price of that love story: Hawk, his loved…

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Review of Bubble (2022)

By Max Covill (13) for Paste Magazine (2,906) on 05 Apr 2022

Unfortunately, despite all this talent, Bubble never amounts to something wholly unique—falling into predictable tropes and a narrative that…

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Review of Bubble (2022)

By Max Covill (13) for Paste Magazine (2,906) on 05 Apr 2022

Unfortunately, despite all this talent, Bubble never amounts to something wholly unique—falling into predictable tropes and a narrative that…

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Review of Sonic the Hedgehog 2 (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 05 Apr 2022

Sonic the Hedgehog 2 might momentarily lose itself to for-the-kids wackiness, which certainly leaves some plotlines frayed, but the reasons…

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Review of Bubble (2022)

By Max Covill (13) for Paste Magazine (2,906) on 05 Apr 2022

Unfortunately, despite all this talent, Bubble never amounts to something wholly unique—falling into predictable tropes and a narrative that…

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Review of The Lost City (2022)

By Katarina Docalovich (5) for Paste Magazine (2,906) on 04 Apr 2022

The Lost City might follow conventional genre beats, but an expert cast with a stellar sense of humor and fresh writing leads to lots of laughs…

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Review of Moonshot (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 04 Apr 2022

Unfortunately, even though Moonshot aims high, its misfire falls all the way back down to humble terra firma…

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Review of The Bubble (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 31 Mar 2022

While attempting to highlight the inconsequential nature of “rich people problems,” the film isn’t incisive or clever enough to parody…

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Review of Night's End (2022)

By Lex Briscuso (44) for Paste Magazine (2,906) on 30 Mar 2022

Night’s End might be a cautionary tale about our preoccupation with revitalizing clichés, but it proves we have a rising horror star in…

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Review of Morbius (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 30 Mar 2022

Yet there’s some kind of invisible force here, hurrying things along in the hopes of a future team-up, making sure this feature film arrives…

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Review of OLIVIA RODRIGO: driving home 2 u (a SOUR film) (2022)

By Syndey Urbanek (1) for Paste Magazine (2,906) on 25 Mar 2022

The performances themselves are the film’s biggest highlight, the songs having been given entirely new arrangements for the occasion…

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Review of You Are Not My Mother (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 24 Mar 2022

Brimming with potential that it doesn’t exactly follow through on, You Are Not My Mother is nonetheless another aesthetically rich horror…

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Review of Mothering Sunday (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 23 Mar 2022

While countered by a throughline which is a bit on-the-nose—that loss comes for us all, and that what matters is how we choose to live with…

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