Movie Reviews Published by Paste Magazine - Page 2 of 146

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Review of Talk to Me (2023)

By Matthew Jackson (27) for Paste Magazine (2,906) on 26 Jul 2023

Fierce, fun, and steeped in youthful energy, it’s a film that’s willing to go to some truly dark places in its exploration of grief, death…

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Review of Haunted Mansion (2023)

By Trace Sauveur (69) for Paste Magazine (2,906) on 25 Jul 2023

A movie like Haunted Mansion is always going to be, at its heart, a cinematic advertisement for the theme park, but couldn’t we at least…

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Review of Close to Vermeer (2023)

By Natalia Keogan (119) for Paste Magazine (2,906) on 25 Jul 2023

Pleasant and contemplative, Close to Vermeer chronicles an exhibit of a master that both civilians and historians know startlingly little about,…

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Review of Barbie (2023)

By Kathy Michelle Chacón (11) for Paste Magazine (2,906) on 21 Jul 2023

Bursting with big ideas on the complexities surrounding womanhood, patriarchy and the legacy of its eponymous subject, Barbie scores a hat…

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Review of The Venture Bros.: Radiant Is the Blood of the Baboon Heart (2023)

By Jim Vorel (49) for Paste Magazine (2,906) on 21 Jul 2023

A still somewhat convoluted wrap story that clarifies a few of the show’s bigger mysteries while indulging in a parade of series callbacks…

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Review of The Beanie Bubble (2023)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 20 Jul 2023

The movie is more nuanced than I anticipated and while it doesn’t completely get into the psychology of why, as Robbie puts it, America lost…

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Review of They Cloned Tyrone (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 20 Jul 2023

On a scene-by-scene basis, though, They Cloned Tyrone is well-crafted entertainment, buoyed by its three major performances…

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Review of Mother, May I? (2023)

By Matt Donato (975) for Paste Magazine (2,906) on 20 Jul 2023

Vannicelli weaponizes therapy-speak where other titles become preachy, uses role-playing as an abusive confusion tactic, and provokes a rather…

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Review of Oppenheimer (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 19 Jul 2023

It’s a fascinating spectacle in large part because Nolan isn’t especially Malickian at all (though at least that frame of reference might…

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Review of Mutt (2023)

By Shayna Maci Warner (10) for Paste Magazine (2,906) on 18 Jul 2023

Mutt makes space for the sadness, mundanity and possibility of life in transition…

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Review of The Deepest Breath (2023)

By Natalia Keogan (119) for Paste Magazine (2,906) on 17 Jul 2023

While the informative aspects of The Deepest Breath are enthralling in their own right, the footage that McGann procures is nothing short of…

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Review of Afire (2023)

By Jacob Oller (247) for Paste Magazine (2,906) on 14 Jul 2023

The careful control displayed throughout Afire allows its deep, elegant characterizations to persist through the narrative smog, long after…

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Review of Quicksand (2023)

By Matt Donato (975) for Paste Magazine (2,906) on 14 Jul 2023

Quicksand swings and misses as the next buzzy nature-born thriller…

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Review of Quicksand (2023)

By Matt Donato (975) for Paste Magazine (2,906) on 14 Jul 2023

Quicksand swings and misses as the next buzzy nature-born thriller…

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Review of Quicksand (2023)

By Matt Donato (975) for Paste Magazine (2,906) on 14 Jul 2023

Quicksand swings and misses as the next buzzy nature-born thriller…

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Review of Bird Box Barcelona (2023)

By Andrew Crump (271) for Paste Magazine (2,906) on 13 Jul 2023

The film’s admirable attempts at preserving its enigmas, while finding the greatest unsettling effect in commonplace human fanaticism, offer…

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Review of 20 Days in Mariupol (2023)

By Trace Saveur (1) for Paste Magazine (2,906) on 11 Jul 2023

Shot entirely from the perspective of Chernov’s lone camera, 20 Days in Mariupol is a demanding and visceral watch…

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Review of Mission: Impossible - Dead Reckoning Part One (2023)

By Dom Sinacola (87) for Paste Magazine (2,906) on 10 Jul 2023

Unsurprisingly, Dead Reckoning Part One’s plot, as convoluted as the best in the franchise, comes together stupendously…

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Review of Biosphere (2023)

By Natalia Keogan (119) for Paste Magazine (2,906) on 10 Jul 2023

With a script co-written by Eslyn and Duplass, Biosphere retains the distinct brand of organic conversational comedy that’s been present…

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Review of Earth Mama (2023)

By Natalia Keogan (119) for Paste Magazine (2,906) on 10 Jul 2023

There’s still an element of unshakable realism embedded in the film’s core, owed greatly to the largely non-professional Bay Area actors…

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