Movie Reviews Published by Parallax View - Page 2 of 9

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Review of The Wind and the Lion (1975)

By Richard T. Jameson (72) for Parallax View (176) on 14 Mar 2015

Milius's incredible balancing act might have turned very rancid, yet miraculously his mixture of full-blown romanticism and a genial sense…

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Review of The Conformist (1971)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

It's a superb performance by Trintignant, whose presence is the film is physically passive even as he tries to play the confident, intellectual…

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Review of Dear White People (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

…

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Review of The Yakuza (1974)

By Richard T. Jameson (72) for Parallax View (176) on 14 Mar 2015

Sydney Pollack ... manifests as much mythic sense as a mill foreman…

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Review of Psych-Out (1968)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

[Director Richard] Rush appreciates the energy and the idealism of the culture at its best while acknowledging contradictions in the individuals…

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Review of To Have and Have Not (1945)

By Richard T. Jameson (72) for Parallax View (176) on 14 Mar 2015

While there are moments implying breezy, spontaneous improvisation in virtually all Hawks pictures, no other has such an all-pervasive sense…

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Review of Middle of Nowhere (2012)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

This isn't about dramatic revelations and charge confrontations…

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Review of Boyhood (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

a different and daring kind of cinematic experience, something rare enough in American popular cinema…

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Review of The Eiger Sanction (1975)

By Richard T. Jameson (72) for Parallax View (176) on 14 Mar 2015

The Eiger Sanction lacks shape, rhythm, and any notable tone or point-of-view…

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Review of The Fortune (1975)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

The timing wasn't planned but it is fortuitous…

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Review of Whiplash (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

This is as much psychological thriller as musical drama and it turns on the increasingly toxic chemistry between two clearly damaged people,…

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Review of The Hunger Games: Mockingjay - Part 1 (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

Francis Lawrence…

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Review of The Homesman (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

this story presents the West as a hard place that creates hard people and destroys the rest…

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Review of Life of Riley (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

It's the end of a filmmaking career of over 60 years, perhaps not the last word he would have chosen…

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Review of Brannigan (1975)

By Richard T. Jameson (72) for Parallax View (176) on 14 Mar 2015

There's some terrific supporting material in that cast list, but everybody onscreen looks, and has excellent reason for feeling, pretty embarrassed…

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Review of The Return of the Pink Panther (1975)

By Richard T. Jameson (72) for Parallax View (176) on 14 Mar 2015

As comedy committed to nothing more argumentative and less indispensable than grace, professionalism, and good fun, the film is certainly welcome…

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Review of Dawn of the Planet of the Apes (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

Matt Reeves…

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Review of Time Bandits (1981)

By Sean Axmaker (1,564) for Parallax View (176) on 14 Mar 2015

It's a strange and weird and wonderful mix of boy's own adventure, Python-esque humor, and grim irony, all wrapped in tall tales, ancient myths,…

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Review of Beneath (2013)

By Sean Axmaker (1,564) for Parallax View (176) on 02 Apr 2014

Beneath is both a tribute to monster-in-the-woods and the creature-under-the-water horror and a genuine indie drama in the guise of a horror film…

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Review of Beneath (2014)

By Sean Axmaker (1,564) for Parallax View (176) on 02 Apr 2014

Beneath is both a tribute to monster-in-the-woods and the creature-under-the-water horror and a genuine indie drama in the guise of a horror film…

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