Movie Reviews Published by Original Cin - Page 9 of 58

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Review of All Quiet on the Western Front (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 11 Oct 2022

All Quiet on the Western Front exists to make the viewer uncomfortable – infinitely preferable to what the characters endure…

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Review of Catherine Called Birdy (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 07 Oct 2022

Those living in Birdy’s fictional universe see her as an irascible (albeit endearing) nuisance, but in movie language, Birdy is a feminist…

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Review of Triangle of Sadness (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 07 Oct 2022

It’s a fantastic mix of the funny, the astute, the disturbing and the brainy in the very specific style of Östlund…

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Review of Blind Ambition (2022)

By Kim Hughes (164) for Original-Cin (1,156) on 05 Oct 2022

Blind Ambition doesn’t rewrite any rules about documentary filmmaking, and it stumbles into the hokey at the very end…

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Review of Amsterdam (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 05 Oct 2022

Amsterdam is full of quips, cocked heads, characters peeking around doorway frames, and a cast of single-purpose characters…

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Review of God's Creatures (2022)

By Karen Gordon (174) for Original-Cin (1,156) on 30 Sep 2022

Anchored by a superb performance by Emily Watson, God’s Creatures is a small, quiet film that packs a surprising punch…

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Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Smile (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

Read Review

Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

Read Review

Review of Bros (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 29 Sep 2022

A rom-com it is. A typical rom-com it isn’t…

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Review of Smile (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

Read Review

Review of What We Leave Behind (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 29 Sep 2022

Sosa, who shared cinematography duties with two other women, Judy Phu and Monica Wise, depicts a world of humble beauty, of sunrises and dogs…

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Review of Smile (2023)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Dead for a Dollar (2022)

By Liam Lacey (1,725) for Original-Cin (1,156) on 29 Sep 2022

Walter Hill’s new film Dead for a Dollar is in some ways your grandpa’s Western, a big-sky drama full of horses, hats, guns, hairpin plot…

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Review of SMILE (2022)

By Thom Ernst (141) for Original-Cin (1,156) on 29 Sep 2022

Smile, the debut feature from director Parker Finn, twists the expectations of a common pleasantry into something grotesque. It's creepy but not new…

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Review of Pinocchio (2022)

By John Kirk (24) for Original-Cin (1,156) on 26 Sep 2022

This dull recreation of the animated film doesn’t strive for anything more than what was contained in the original version of this film and…

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Review of Eternal Spring (長春) (2023)

By Liam Lacey (1,725) for Original-Cin (1,156) on 26 Sep 2022

Though the emotional appeal of this story of resistance to brutal repression is genuinely moving, the documentary has limitations in both style…

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Review of Pinocchio (2024)

By John Kirk (24) for Original-Cin (1,156) on 26 Sep 2022

This dull recreation of the animated film doesn’t strive for anything more than what was contained in the original version of this film and…

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Review of Blonde (2022)

By Kim Hughes (164) for Original-Cin (1,156) on 24 Sep 2022

Ana de Armas is magnificent as Norma Jean, her every expression and movement embodying the late star and suggesting countless hours of research…

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