Movie Reviews Published by Observer - Page 12 of 53

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Review of Candyman (2021)

By Brandon Katz (25) for Observer (1,042) on 25 Aug 2021

Candyman feels like a reclamation project of sorts…

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Review of Reminiscence (2021)

By Rex Reed (1,506) for Observer (1,042) on 24 Aug 2021

It slogs on, piling on scenes and memories of every sci-fi epic and film noir from Blade Runner to Chinatown, but who cares…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Oliver Jones (215) for Observer (1,042) on 23 Aug 2021

Marvel's latest movie feels just as sanitized and safe as its other products, even with its killer cast and talented director Destin Daniel Cretton…

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Review of The Night House (2021)

By Rex Reed (1,506) for Observer (1,042) on 19 Aug 2021

Unfortunately, it’s a fairly unimaginative, largely unconvincing, often dull and always predictable example of the genre with few thrills…

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Review of Coda (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 18 Aug 2021

As much CODA is a film about a hearing person’s relationship to deafness and Deaf culture, it’s just as much about deaf characters’ relationships…

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Review of CODA (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 18 Aug 2021

As much CODA is a film about a hearing person’s relationship to deafness and Deaf culture, it’s just as much about deaf characters’ relationships…

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Review of Respect (2021)

By Rex Reed (1,506) for Observer (1,042) on 13 Aug 2021

Jennifer Hudson is so spectacular in Respect, the Aretha Franklin biopic, that she makes you overlook, ignore and eventually forgive the film’s…

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Review of Don't Breathe 2 (2021)

By Oliver Jones (215) for Observer (1,042) on 13 Aug 2021

The film itself plays like an extended riff on the famous scene where the Frankenstein monster befriends a little girl…

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Review of Free Guy (2021)

By Rex Reed (1,506) for Observer (1,042) on 13 Aug 2021

The target audience — people who waste their lives playing video games — might be amused by a movie about devices designed for the sole…

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Review of The Suicide Squad (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 06 Aug 2021

Gunn is much better suited to the material than either David Ayer or the trailer house that re-cut the previous film, though while the end…

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Review of Stillwater (2021)

By Rex Reed (1,506) for Observer (1,042) on 30 Jul 2021

With little action, no suspense and an ending that fails in every way, Matt Damon is the only thing memorable about Stillwater…

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Review of Jungle Cruise (2021)

By Rex Reed (1,506) for Observer (1,042) on 29 Jul 2021

If you don’t fall asleep, there’s plenty to look at, including action scenes crammed with special effects, as well as lush rainforests…

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Review of The Green Knight (2021)

By Brandon Katz (25) for Observer (1,042) on 26 Jul 2021

Despite The Green Knight‘s opaque obscurity and scattered whims, there’s a clear beginning, middle and end structure that crescendos with…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Brandon Katz (25) for Observer (1,042) on 22 Jul 2021

The fight choreography is often impressive. But the script is pockmarked with cliches, tropes and never-ending predictability…

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Review of Joe Bell (2020)

By Rex Reed (1,506) for Observer (1,042) on 19 Jul 2021

It’s still worth seeing, mainly for the depth and feeling Mark Wahlberg exhibits in the title role, but fails to expand a viewer’s vision…

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Review of Benedetta (2021)

By Stephen Garrett (65) for Observer (1,042) on 13 Jul 2021

The Danish director of Total Recall, Basic Instinct, Showgirls and Starship Troopers has never been one for subtlety, but this queer thriller…

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Review of The Velvet Underground (2021)

By Stephen Garrett (65) for Observer (1,042) on 13 Jul 2021

A sonic-boom look at a seismic band, The Velvet Underground dissects one of the most influential 1960s musical acts with dizzying visual flair…

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Review of Val (2021)

By Stephen Garrett (65) for Observer (1,042) on 12 Jul 2021

Val doesn’t tell the whole story, but it does give a fascinating glimpse into a very human trajectory through the gauntlet of fame and fortune…

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Review of Val (2021)

By Stephen Garrett (65) for Observer (1,042) on 12 Jul 2021

Val doesn’t tell the whole story, but it does give a fascinating glimpse into a very human trajectory through the gauntlet of fame and fortune…

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Review of Annette (2021)

By Rafael Motamayor (108) for Observer (1,042) on 07 Jul 2021

Whether you are already familiar with both or you just got to know about Sparks thanks to Edgar Wright’s The Sparks Brothers documentary,…

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